British & European Paintings, Old Master & Modern Prints, including Works of Art from Downside Abbey

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room South Cerney, Cirencester, Gloucestershire

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British & European Paintings, Old Master & Modern Prints, including Works of Art from Downside Abbey

Auction closed

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  • ( Lots: 414)

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  • 09:30 BST - 17:30 BST
  • 09:30 BST - 17:30 BST

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Currency: GBP
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* Leyden (Lucas van, circa 1494–1533). The Large Ecce Homo, 1510 [but later], etching on Arches laid paper, with chain lines approximately 28 mm a...

* Pencz (Georg, circa 1500-1550). Christ washing the feet of the Apostles, circa 1534, engraving, a good but later impression, trimmed on the plat...

* Vico (Enea, 1523-1567). Infant Bacchanal with putti carrying an Ass, after Michelangelo, 1546, engraving, a very good impression, on laid paper ...

* Straet (Jan van der, 1523-1605). The Jailer about to kill himself, converted by Saint Paul, & Saint Paul before the High Priest, plates 28 and 3...

* Goltzius (Hendrick, 1558-1617). Christ, the Apostles and St. Paul with the Creed, 1589, seven engravings from the series, very good impressions ...

* Sadeler (Aegidius, circa 1570-1629). The Virgin and Child with Saint Anne, after Albrecht Dürer, circa 1597, engraving, a very good impression, ...

* Reni (Guido, 1575-1642). A Glory of Angels, after Cambiaso, circa 1607, etching, a very good impression, printing with effective contrasts,t he ...

* Sadeler II (Aegidius, 1570-circa 1629). Portrait of Tobias Scultetus, 1610, engraving, a fine impression printing with clarity, on laid paper, a...

* Pelletier (D., early 17th century). The Twelve Emperors, after Jan van der Straet, 1611, eleven engravings (lacking Emperor Galba), very good, b...

* Muller (Jan Harmensz., 1571–1628). Portrait of Archduke Albert of Austria, after Peter Paul Rubens, 1615, fine copper engraving on laid paper, t...

* Swanevelt (Herman van, 1603- circa 1655). A Peasant Family on a Path, circa 1640's, etching, a fine, delicate impression on fine laid paper with...

* Hollar (Wenceslaus, 1607-1677). Portrait of Albrecht Dürer’s Father, after Albrecht Dürer, 1644, & Sir Thomas Wentworth, First Earl of Strafford...

* Galestruzzi (Giovanni Battista, 1618-1677). Niobe adored on the Altar; & The Slaughter of Niobe's Children, from the Niobid frieze of the Palazz...

* Visscher (Cornelis, 1628-1629), Roma Mother with Children, 1656-1657, engraving, a thread margin at bottom, otherwise with small margins, sheet ...

* Edelinck (Gérard, 1640-1707). The Battle of Anghiari, after Peter Paul Rubens after Leonardo da Vinci, circa 1657-1666, engraving on laid paper ...

* Sirani (Elisabetta, 1638-1635). Mater Dolorosa: Our Lady of Sorrows with Symbols of the Passion, 1657, etching, a fine, bright and vibrant impre...

* Merli (Giovanni, active second half of 17th century). Six Penitent Saints, engravings on thick laid paper, very good black impressions, printing...

* Thourneysen (Johann Jakob 1636-1711). Venus pouring water from a shell before a cave, after Joachim von Sandrart, 1678, single line engraving, a...

* De Jode I (Pieter, 1570- 1634). The Last Judgment, after Jean Cousin the Younger, 1615 [but later], engravings, eleven (from the set of 12) plat...

* Desplaces (Louis, 1682-1739). Achille et Deidamie, from Les Surprises de l'Amour, after Pierre Jacques Cazes, 1721, a very good, black impressio...

* Muller (Johann Sebastian, 1715-1785). Ruins of Rome, after Giovanni Paolo Panini, 1753 [or slightly later], etching on laid paper, by J. S. Mull...

* Piranesi (Giovanni Battista, 1720-78). Veduta del Castello dell'Acqua Paola sul Monte Aureo, from Vedute di Roma, 1751, etching on thick laid pa...

* Piranesi (Giovanni Battista, 1720-78). Veduta della Piazza della Rotonda, from Vedute di Roma, 1751, etching on thick laid paper, the fourth sta...

* Piranesi (Giovanni Battista, 1720-78). Veduta della vasta Fontana di Trevi anticamente detta l’Acqua Vergine, from Vedute di Roma, 1751, etching...

* Piranesi (Giovanni Battista, 1720-1778). Veduta del Porto di Ripetta, 1753, etching on laid paper from the series Vedute di Roma, contemporary R...

* Sandby (Paul, 1731-1809). Seven etchings from Eight Views of Windsor Great Park, 1754-1758, etchings after Thomas Sandby, very good impressions ...

* Piranesi (Giovanni Battista, 1720-1778). Piramide di C. Cestio, from Vedute di Roma, 1756, etching on laid paper, the first state (of 3), before...

* Piranesi (Giovanni Battista, 1720-78). Veduta del Tempio della Sibilla in Tivoli, from Vedute di Roma, 1761, etching on thick laid paper, the se...

* Piranesi (Giovanni Battista, 1720-78). Sepolcro di Cecilia Metella, from Vedute di Roma, 1762, etching on thick laid paper, the second state (of...

* Piranesi (Giovanni Battista, 1720-78). Veduta del Ponte Lugano su l'Anione, from Vedute di Roma, 1763, etching on laid paper, a strong impressio...

* Piranesi (Giovanni Battista, 1720-1778). Vaso antico di marmo di gran mole rappresentante il Sagrifizio d'Ifigenia ... questo vaso si vede nella...

* Piranesi (Giovanni Battista, 1720-1778). Veduta interna della Basilica di S. Maria Maggiore, from Vedute di Roma, circa 1768, etching on wove pa...

* Piranesi (Giovanni Battista, 1720-1778). Veduta degli avanzi del Foro di Nerva, from Vedute di Roma, 1757, etching on laid paper with partially ...

* Vasi (Giuseppe, 1710-1782). Prospetto del 'Alma Cittá di Roma visto dal Monte Gianicolo, 1765 [or slightly later], the complete, monumental etch...

* Piranesi (Giovanni Battista, 1720-78). Veduta dell’ Arco di Constantino, from Vedute di Roma, 1771, etching on thick laid paper, a strong impres...

* Piranesi (Giovanni Battista, 1720-78). Veduta dell’ Arco di Tito, 1771, etching on thick laid paper, the first state (of four), a vibrant impres...

* Mason (James, 1710- circa 1780). The Landing of Aeneas in Italy, after Claude, 1772, fine copper engraving on laid paper, published by John Boyd...

* Volpato (Giovanni, 1733-1803). Veduta di Campo Vaccino contenente il Foro Romano, il Comizio, il Vulcanale e parte del Tempio dello Pace e della...

* Piranesi (Giovanni Battista, 1720-78). Veduta del Tempio detto della Concordia, circa 1774, etching on thick laid paper, the first state (of thr...

* Piranesi (Giovanni Battista, 1720-1778). Altra Veduta degli avanzi del Pronao del Tempio della Concordia, 1774, etching with engraving on heavy ...

* Piranesi (Giovanni Battista, 1720-78). Veduta degli avanzi del Tablino della Casa aurea di Nerone detti volgarmente il Tempio della Pace from Ve...

* Piranesi (Giovanni Battista, 1720-78). Veduta del Tempio detto della Concordia, circa 1774, etching on thick laid paper, the first state (of thr...

* Piranesi (Giovanni Battista, 1720-78). Veduta interna della Chiesa della Madonna degli Angioli detta della Certosa che anticamente era la princi...

* Vasi (Giuseppe, 1710-1782). Il Prospetto principale del Tempio e Piazza di S. Pietro in Vaticano, e Palazzo Pontificio, 1774, etching with engra...

* Piranesi (Giovanni Battista, 1720-1778). Veduta del Campidoglio di fianco, from Vedute di Roma, 1775, etching and drypoint on laid paper, withou...

* Piranesi (Giovanni Battista, 1720-1778). Veduta dell'insigne Basilica Vaticana coll'ampio Portico, e Piazza adjacente, from Vedute di Roma, 1775...

* Sandby (Paul, 1731-1806). In the Meadows near Edinburgh, 1751, etching printed in brown on laid paper, a fine, atmospheric impression, trimmed t...

* Piranesi (Giovanni Battista, 1720-1778). Veduta di fianco in prospettiva del Vaso del Sig. Cav. Giorgio Grenville (Side View in Perspective of t...

* Piranesi (Giovanni Battista, 1720-1778). Grande Vaso di Marmo di Villa Adriana (Large Marble Vase from Hadrian's Villa) from Vasi, candelabri, c...

* Piranesi (Giovanni Battista, 1720-1778). Vaso cinerario di gran mole, from Vasi, candelabri, cippi, sarcofagi, tripoldi, lucerne,ed ornamenti an...

* Simon (George, 2nd Earl of Harcourt 1736-1809). View of Windsor Castle from the River, after Paul Sandby, circa 1763, etching, a fine, black imp...

* Ward (William, 1766-1826). Cottagers & Travellers, after George Morland, 1791, mezzotint, printed in brown, published by T Simpson, London, Febr...

* After Fra Angelico (1395-1455). Three Musician Angels, Florence, circa 1850's, tempera and gold on wood panels, with punctured nimbus and contou...

* After Fra Angelico (1395-1459). Madonna della Stella, with Six Attendant Angels, Florence, circa 1850's, oil or tempera and gilding on seven ind...

* After Fra Angelico (1395-1455). The Annunciation, and The Adoration of the Magi, Florence, circa 1850's, tempera and gold on two wood panels, so...

* After Albrecht Durer (1471-1528). The Virgin Among a Multitude of Animals, circa 1607, oil on copper, with applied decorative painted border, co...

* Spanish School. Saint Ignatius of Loyola, probably early 17th Century, oil on canvas, depicting the saint half length, with blazing halo, gazing...

* Attributed to Jacob Willemsz. Delff the Younger (Delft 1619 - 1661). Portrait of a Man, traditionally thought to be Hugo Grotius, circa 1642, oi...

* Follower of Jan Both (1615/1618-1652). Rocky landscape with swineherd kneeling in prayer, oil on canvas laid down on board, depicting a swineher...

* After Anthony van Dyck (1599-1641). The Crucifixion, circa 1680-1720, oil on canvas, a good copy of Van Dyck's original work of 1627, 119 x 83.8...

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