Refine your search
Sale Section
Estimate
Category
- List
- Grid
A subscription to the Price Guide is required to view results for auctions ten days or older. Click here for more information
* Joni (Icilio Frederico, 1866-1946). A pair of 'tavolette' painted and gilded panels imitating a 15th century Sienese binding, two separate bevel...
* Attributed to Federico Barrocci (circa 1535-1612). Aeneas' Flight from Troy, with Anchises, Creusa and Ascanius, circa 1590, oil on canvas, 40 x...
* Manner of Philips Wouverman (1619-1668). Rustic figures with pack horses outside a dwelling, & Soldier on horseback and figures unloading goods ...
* Circle of Godfrey Kneller (1646-1723). Portrait of a boy in a pink coat, circa 1700-1720, oil on canvas, half-length portrait, half-profile to l...
* Follower of Godfrey Kneller (1646-1723). Oval portrait of a young lady, oil on chamfered wood panel, head and shoulders portrait of a young lady...
* Follower of Godfrey Kneller (1646-1723). Portrait of a young lady, oil on canvas, three quarter length portrait of a young lady wearing a pale g...
* Subleyras (Pierre, 1699-1749). The Visitation, and The Presentation of the Virgin in the Temple, oil on paper laid to panel, 42 x 26 cm (15 x 9 ...
* Attributed to Benjamin Barker of Bath (1776-1838). Wooded river landscape with faggot gatherer, oil on canvas, 25.5 x 33 cm (10 x 13 ins), old w...
* After Giuseppe Arcimboldo (circa 1527-1593). Composite Heads, a pair of composite head paintings in oil on wood panels, mid-nineteenth century, ...
* Follower of Raphael (1483-1520). Infant Saint John baptising seated Christ child holding a palm branch, pen and brown ink laid down on paper, sh...
* Circle of Giulio Romano (circa 1499-1546). Urn with putti and fruit, circa 1520, pen and brown ink on laid paper, supported on a further sheet o...
Salvi (Giovanni Battista, Il Sassoferrato, 1609-1685). The Madonna at Prayer, probably 18th century
* After Giovanni Battista Salvi, Il Sassoferrato (1609-1685). The Madonna at Prayer, probably 18th century, oil on canvas, firmly relined, minor s...
* Franco (Battista, 1510-1561). Allegorical Figure of Chastity, circa 1550, black chalk heightened with white on grey paper backed with laid paper...
* Attributed to Anthonie van Blocklandt (Montfoort 1532-1583 Utrecht). Jacob's Dream, pen and brown ink with wash, with another drawing to verso (...
* Roman School. The Virgin Mary and Child, with Mary Magdalene, Elizabeth and John the Baptist, circa 1560-75, pen and brown ink with brown wash o...
* Italian School. Pan surrounded by three feasting satyrs, later 16th century, pen and brown ink and wash with pencil, on laid paper backed by a f...
* Circle of Domenico Piola (1627-1703). Studies of Putti in Flight, red chalk, pen and red and brown ink and wash on laid paper, to both recto and...
* English School. Flowers in a stone vase, 18th century, reverse still life painting on glass, depicting a profusion of flowers in an urn, includi...
* Mortimer (John Hamilton, 1741-1779). Study for head of an old man and other figures, circa 1774, pen and black ink on light brown laid paper, 14...
* Orsi (Tranquillo, 1771-1845). Design for a Tomb, pen, brown ink and brown wash on laid paper, inscribed in pencil to lower margin (in a somewhat...
* Dürer (Albrecht, 1471-1528). The Circumcision (from The Life of the Virgin), circa 1503, a very good, black Meder b proof impression printed bef...
* Dürer (Albrecht, 1471-1528). The Annunciation (from The Life of the Virgin), 1503-1504, woodcut on laid paper with a Flower with Triangle waterm...
* Dürer (Albrecht, 1471-1528). Christ taking Leave of his Mother, (from The Life of the Virgin), circa 1504, woodcut on laid paper with a Bishop’s...
* Aldegrever (Heinrich, 1502-circa 1561). Mucius Scaevola before Porsenna, 1530, engraving on laid paper, a good impression, a few pale brown stai...
* Trento (Antonio da, circa 1510-1550). Mucius Scaevola, after Parmigianino, circa 1540-1550, chiaroscuro woodcut printed in black and reddish bro...
* Gandini (Alessandro, active 1545-1565). Christ in the House of Simon the Pharisee (after Parmigianino after Raphael), circa 1545-65, chiaroscuro...
* De Bruyn (Abraham, 1538/40-1587) , Pharoah’s daughter finding Moses, & Joshua plans the conquest of Canaan, after Pieter van der Borcht (from Hu...
* Alberti (Cherubino, 1553-1615). The Israelites fleeing Egypt, after Polidoro da Caravaggio, 1576, engraving, a fine proof impression before the ...
* Wierix (Hieronymous, 1553-1619). Achivus (from Equile Ioannis Austriaci), after Jan van der Straet, circa 1578, engraving on fine laid paper wit...
* After Albrecht Dürer (1471-1528). Saints Nicholas, Ulrich and Erasmus, circa 1580-1620, engraving (in reverse after the original woodcut of circ...
* Sadeler (Aegidius, circa 1570-1629). The Virgin and Child with Saint Anne, after Albrecht Dürer, circa 1597, engraving, a very good impression, ...
* Wierix (Anthonie, 1552-circa 1624). Queen Elizabeth I, engraving, a fine, crisp impression, trimmed to the borderline, 80 x 57 mm (3 x 2 1/4 ins...
* Rembrandt (Harmensz. van Rijn, 1606-1669). Christ driving the Money Changers from the Temple, 1635, etching with drypoint on thin laid paper wit...
* Bolswert (Schelte Adamsz., circa 1586-1659). The Family Concert: As The Old Sing, So The Young Pipe (Soo d'Oude songen soo pepen de Jongen), aft...
* Perrier (François, 1590-1650). Six etchings of antique statues (from Segmenta nobilium signorum et statuarum), circa 1638, etchings, fine to ver...
* Rembrandt (Harmensz. van Rijn, 1606-1669). The Death of the Virgin, 1639, etching on laid paper, without watermark, the fourth state (of 5), som...
* Suyderhoef (Jonas, 1613-1686). Three peasants merrymaking in an Inn, after Adriaen van Ostade, 1647-1652, engraving, a very good, black impressi...
* Rembrandt (Harmensz. van Rijn, 1606-1669). Christ at Emmaus, 1654, etching, burin and drypoint, a good but later impression of the fifth (final)...
* Visscher (Johannes, 1633/34 -1712). Pastoral Landscapes, after Nicolaes Berchem, circa 1660, six etchings with engraving on fine laid paper, eac...
* Merli (Giovanni, active second half of 17th century). Six Penitent Saints, engravings, second half of 17th century, on thick laid paer, very goo...
* Poilly (Nicolas Jean-Baptiste 1675-1747). Pan teaching Daphnis to play the pipes, circa 1700, engraving, a very good impression, with thread mar...
* Caylus (Anne Claude de Tubieres, Comte de, 1692-1765). Des pêcheurs retirant leurs filets (Fishermen hauling in a catch), after Giulio Romano, c...
* Piranesi (Giovanni Battista, 1720-1778). Veduta del Pantheon d'Agrippa oggi Chiesa di S. Maria ad Martyres (from Vedute di Roma), 1761, etching ...
* Piranesi (Giovanni Battista, 1720-1778). Veduta del Romano Campidoglio con Scalinata che va alla Chiesa d'Araceli, (from Vedute di Roma), 1757, ...
* Piranesi (Giovanni Battista, 1720-1778). Obelisco Egizio (from Vedute di Roma), 1759, etching printed on thick laid paper, with watermark of a f...
Piranesi (Giovanni Battista, 1720-1778). Baths of Diocletian, & Villa d'Este, Tivoli, 1773-1774
* Piranesi (Giovanni Battista, 1720-1778). Veduta degli avanzi superiori delle Terme di Diocleziano a S. Maria degli Angeli, & Veduta della Villa ...
* Sandby (Paul, 1731-1809). John Balfour's Coffee House at Edinburgh, & Man with a Tankard outside an Inn (from the series Good Entertainment: A N...
Sandby (Paul, 1731-1809). A Collection of Twelve Scottish Landscape etchings, circa 1750-1751
* Sandby (Paul, 1731-1809). Scottish Landscapes, circa 1750-1751, fine to very good impressions on laid paper, five plates from Scottish Landscape...
* Sandby (Paul, 1731-1809). Eight Landscapes, circa 1750-1758, etchings, fine, black impressions on laid paper, including Landscape with a fortifi...
* Sandby (Paul, 1731-1809). Four etchings from Eight Views of Windsor Great Park, 1754-1758, etchings after Thomas Sandby, very good impressions o...
* Sandby (Paul, 1731-1809). A collection of 18 engravings after Paul Sandby, 1770's-1780's, very good impressions, including four by Michael Angel...
* Attributed to Paul Sandby (1731-1809). Stormy wooded landscape, with cattle drovers, circa 1773, pure aquatint printed in dark grey, with substa...
* Sandby (Paul, 1731-1809). View of a bridge with horseman and bare tree, circa 1773, pure aquatint printed in dark grey and blue, a fine impressi...
Sandby (Paul). XII Views in Aquatinta in South Wales, 1775, etchings with aquatint, ten plates
* Sandby (Paul, 1731-1809). Ten plates from XII Views in Aquatinta from drawings taken on the spot in South Wales, The First Set, 1775, aquatint t...
* Sandby (Paul, 1731-1809). Views in Wales, 1775-1777, etchings and aquatints printed in browns, including Manerbawr Castle in Pembrokeshire, (fro...
* Sandby (Paul, 1731-1809). The Entrance of Warwick Castle from the Lower Court (from Four Views of Warwick Castle,1776), aquatint with etching pr...
* Sandby (Paul, 1731-1809). Four plates from Six Views of Windsor and Eton, 1776-1777, etchings with aquatint, including a rare signed proof befor...
* Sandby, Paul (1731-1809). Windsor Terrace looking Westward (from Six Views of Windsor and Eton), 1776, etching with aquatint and extensive hand...
* Sandby (Paul, 1731-1806). Swansey Castle, 1777, etching with aquatint, a fine, rich impression printed in subtly graduated browns and sepia, on ...
* Sandby (Paul, 1731-1809). Sepulchral Monument at Old Capua (from Views in and around Naples, after Pietro Fabris), 1778, a fine impression, prin...
Loading...