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Circle of Domenico Beccafumi (1486-1551). Standing female figure, miniature pen and brown ink on circular laid paper, window-mounted, sheet size 4...
* Bernardi (Pietro, circa 1585/90-1623, attributed). St. Francis receiving the Stigmata, chalk
Attributed to Pietro Bernardi (circa 1585/90-1623). St. Francis receiving the Stigmata, black chalk heightened with white on fibrous, grey-green l...
Attributed to Giovanni Andrea Carlone (Genoa 1639-1697).The Gathering of Manna, pen and brown ink and brown wash over red chalk, on fine laid pape...
Circle of Guido Reni (1575-1642). Head of a Youth, black, sanguine and white chalks on grey-green laid paper with a winged figure watermark, with ...
Attributed to Stefano della Bella (1610-1664). Fantasia di Animali, fine pen and brown ink on laid paper, depicting griffins guarding a martial ca...
* Florentine School, Early 17th Century. A Satyr abducting a Nymph, sanguine crayon on fine laid
Florentine School. Satyr abducting a nymph, early 17th century, sanguine crayon on fine laid paper, a few unobtrusive creases, the upper left corn...
German School. Ornamental design for a coat of arms, 1600, an armorial shield showing quarterly one and four per fess dancetty, two and three a st...
Attributed to Luca Giordano (Naples 1634-1705). Women preparing fish in a kitchen, circa 1680, pen and brown ink with traces of black chalk, on fi...
* India (Bernardino, Verona 1528-1590, attributed), Striding Angel. pen and ink, brush and wash
Attributed to Bernardino India (Verona 1528-1590). Striding Angel, pen and red-brown ink, brush and brown wash on laid paper, with an inked-in bor...
Italian School. Sketch for an altarpiece with Madonna and Child enthroned, St John the Baptist and other figures, 17th century, pen and brown ink ...
Italian School. Lion with raised paw, 1742, pen and sepia ink and wash on laid paper, with partial watermark (head of a column?), indistinctly ins...
Attributed to Giovanni Lanfranco (Parma 1582-1647 Rome). Study for the Transfiguration, black chalk heightened with white on grey-green, fibrous l...
Attributed to Pier Francesco Mola (Coldrerio 1612–1666 Rome). Holy Family with Saint Joseph and Saint John the Baptist, pen and brown ink and wash...
* Nixon (John, circa 1750-1818). Two rustics at Astley's Amphitheatre, Lambeth, 1784, & 3 others
Nixon (John, circa 1750-1818). Two Rustics at Astley's Amphitheatre, Lambeth, 1784, pen, ink and watercolour wash on laid paper, depicting a gentl...
Attributed to Herman Saftleven (Rotterdam 1609-1685 Utrecht). Landscape with figures and ruins on a promontory, pen, black and grey ink and grey w...
* Trinquesse (Louis Roland, 1746-1800, attributed). Portrait of a lady in profile, black chalk
Attributed to Louis Roland Trinquesse (1746-1800). Portrait of a lady reading, black chalk on French laid paper watermarked Finde A F Montgolfier ...
After Anthony van Dyck (1599-1641). Madonna and Child with female saints, late 17th century, pen and brown ink on laid paper, some surface abrasio...
* Vasari (Giorgio, 1511-1574, circle of). Battlescene with pikebearers, pen, brown ink and wash
Circle of Giorgio Vasari (1511-1574). Battle scene with pikebearers, pen, brown ink and brown wash, inscribed verso 'Matteo Rosselli / Vasari for ...
Wille (Johann Georg, 1715-1808). Cottage Farmyard with a wellhead, barrels and ladder, red chalk on fine laid paper with partial watermark of an a...
Lombardy School. Still life of flowers and a ruffed grouse, 17th century, oil on canvas, re-lined, old restoration, 68.5 x 89 cm (27 x 35 ins)Qty:...
* Griffier (Jan, active 1738-1773, attributed). Capriccio landscape with statuary, oil on canvas
Attributed to Jan Griffier (active 1738-1773). Capriccio landscape with statuary, large oil on canvas of an ancient tomb within a cavernous grotto...
Manner of Benedetto da Maiano, 1442-1497). Madonna and Child with Saint John and cherubs, later polychrome painted plaster of paris relief in the ...
Circle of Pier Francesco Mola (Coldrerio, near Lugano 1612-1666 Rome). The Rest on the Flight into Egypt, oil on canvas, 50.2 x 67.3 cm (19 3/4 x ...
After John Raphael Smith (1752-1812). Lady Elizabeth Compton, [1780 or later], pastel and chalk, depicting a half-length portrait of a young woman...
Aldegrever (Heinrich, circa 1502 – 1555/61). The Fight with the Nemean Lion, 1550, engraving on laid paper, a good impression, trimmed to the subj...
Andreani (Andrea, 1558/59-1629). The Triumphs of Caesar: Plate IX (after Andrea Mantegna), 1599, chiaroscuro woodcut on laid paper, printed in dar...
Andreani (Andrea, 1558/59-1629). The Triumph of Caesar: Plate IV (after Andrea Mantegna), 1599, chiaroscuro woodcut on laid paper, printed in dark...
* Audenaerde, Robert van, 1663-1743. The Triumphs of Caesar (after Andrea Mantegna), 1692 [but later
Audenaerde (Robert van, 1663-1743). The Triumphs of Caesar (after Andrea Mantegna), 1692 [but later], copper engraving after Andrea Mantegna, on 9...
Bagford (John, 1650-1716). Seven letters (N, O, P and Q on one sheet, X and V on another, and Z on a third sheet), after the 1464 Alphabet, probab...
Barbault (Jean, 1718-1762). Vue des restes du Château de l'Eau Marcia, & Fragments Antiques (from Les Plus Beaux Monuments de Rome Ancienne), 1761...
Bega (Cornelis Pietersz., circa 1631-1664), The Inn, 1631-1654, etching on fine laid paper, a fine, black impression of the first state (of three)...
![* Bibiena (Giuseppe Galli, 1696-1757). Architetture, e Prospettive, 4 plates, [1740-44]](https://portal-images.azureedge.net/auctions-2022/srdom10189/images/ac6f5434-d84c-46f3-9cb9-ae4600db7dc7.jpg?w=155&h=155)
Bibiena (Giuseppe Galli, 1696-1757). Four etched plates from Architetture e Prospettive, Augsburg [1740-44], 4 etchings with engraving on laid pap...
Bloteling (Abraham, 1640-1690). Self Portrait of Anne Killigrew, circa 1680's, mezzotint by Bloteling after Anne Killigrew (1660-1685), a rich imp...
* Buffagnotti (Carlo Antonio, after Bibiena. Stage Sets for 'Endimione', four etchings, 1699-1710
Buffagnotti (Carlo Antonio, 1660-circa 1715). Four etched plates of stage designs (including three for the spectacle entitled Endimione) after Fer...
Busïnck (Ludolph, circa 1590-1669). Saint Simon, from the series Christ and the Apostles, 1623-29, chiaroscuro woodcut after Georges Lallemand (ci...
Callot (Jacques, 1592-1635). Les Petites Misères de la Guerre, 1636, the full set of seven etchings (frontispiece by Abraham Bosse, Le Campement, ...
Callot (Jacques, 1592-1635). Combat d’Avigliano (or the Combat de Veillane), circa 1630-31, etching on fine laid paper with watermark of a necklac...
Callot (Jacques, 1592-1635). La Carrière de Nancy (also known as Rue Neuve de Nancy), circa 1630, etching on laid paper, a very good, atmospheric ...
Callot (Jacques, 1592-1635). Le Défilé à Pied, & Le Combat (from Le Combat à la Barrière), 1627, etchings on laid paper with watermark of a lion w...
Callot (Jacques, 1592-1635). Les Petites Misères de la Guerre, faict par Jacques Callot. Et mise en lumière par Israel Henriet, Paris: Israel Henr...
* Callot (Jacques, 1592-1635). St. Sebastian, 1631, etchingCallot (Jacques, 1592-1635). Le Martyre
Callot (Jacques, 1592-1635). Le Martyre de St. Sébastien, circa 1631-33, etching on laid paper, a fine impression of the first state (of two), bef...
* Callot, Jacques (1592-1635). Etchings from Les Supplices, and Capricci, etchings, 1617-1629
Callot (Jacques, 1592-1635). Les Supplices, circa 1629, etching on laid paper, the sixth state (of eight), showing traces of Israël Silvestre’s ef...
* Callot, Jacques (1592-1635). Various etchings from Les Gueux, La Noblesse, Les Gobbi, circa 1620s
Callot (Jacques, 1592-1635). Frontispiece, & Le Mendiant à la Jambe de Bois (from Les Gueux), circa 1623, etchings, strong, black impressions of t...
Callot (Jacques, 1592-1635). Vue du Louvre (from Les Deux Grandes Vues de Paris), circa 1630, etching on laid paper, a good impression of the fift...
De Bry (Theodore, 1561-1623). The Triumph of Death, circa 1580-1600, engraving after Hans Sebald Beham (1500-1550), a very good impression on laid...
* Delaune (Étienne, 1518-1595). Two Grotesques: Venus and Cupid, and Minerva, engravings, circa
Delaune (Étienne, 1518-1595). Two Grotesques: Venus and Cupid, and Minerva, two engravings from the set of six, circa 1565, very good to good impr...
Della Bella (Stefano, 1610-1664). Castel Sant'Angelo, Rome, 1634, etching on laid paper, bears watermark (indistinct), a good impression, narrow m...
Della Bella (Stefano, 1610-1664). The Procession of the Holy Sacrament, 1648, etching on laid paper, a fine impression, with a thread margin at bo...
* Dente, Marco after Raphael, Venus, and Marcantonio Raimondi, Singers, engravings, early 16th
Dente (Marco, active 1515-1527). Venus pulling a Thorn from her Foot, circa 1515-1527, engraving on laid paper with an Encircled Anchor watermark,...
* Duck, Jacob (1600-1667), River landscape with the Horseman, etching, circa 1650, and four others
Duck (Jacob, 1600-1667). River Landscape with Horseman, circa 1650, etching on fine laid paper with a Pro Patria watermark, a very good impression...
Jackson (John Baptist, 1701-circa 1780). Melchisedek meeting and blessing Abraham, after the victory over the Kings (after Giovanni dal Ponte), ci...
Kauffman (Angelika, 1741-1807). Young Man Musing, 1762, etching on laid paper with narrow margins, a very good, bright impression, plate size 12.7...
Leoni (Ottavio Maria, Il Padovano, 1578-1630). Self Portrait as the Knight of Malta, 1625, engraving and etching on laid paper, a fine impression ...
Leyden (Lucas van, 1494-1533), Ecce Homo,1510 [but later], engraving on laid paper, a late impression, with thread margins or trimmed on the plate...
Leyden (Lucas van, 1494-1533). Christ before Annas, & The Flagellation (from The Passion), 1521, two engravings on laid paper, good impressions of...
* Master of the Die. Cupid and Psyche, after Raphael, circa 1530-60, complete set of 32 engravings
Master of the Die (circa 1512-1570 1532-1550). The Story of Cupid and Psyche, after Raphael, [Rome, circa 1530-60], complete set of 32 engravings ...
* Ostade (Adriaen Jansz. van, 1610-1685). The Cobbler, etching, 1671, and five other etchings
Ostade (Adriaen Jansz. van, 1610-1685). The Cobbler, 1671, etching on laid paper with an indistinct watermark, a very good impression of the eight...
* Ostade (Adriaen Jansz. van, 1610-1685). The Quacksalver, 1648, etching, and five other etchings
Ostade (Adriaen Jansz. van, 1610-1685). The Quacksalver, 1648, etching on laid paper, a very good impression of the ninth (final) state, with narr...
Ostade (Adriaen Jansz. van, 1610-1685). The Painter at his Easel, circa 1667, etching on fine laid paper with a grapes watermark (Godefroy waterma...
Pencz (Georg, 1500-1550). Medea and Jason (from The Greek Heroines), 1539, engraving on laid paper, a fine impression of the first state (of two),...
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