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* After Giovanni Francesco Barbieri, Il Guercino (1591-1666). The Samian Sibyl, oval oil on board, head and shoulders portrait, half-profile to le...
* Manner of Michele Marieschi (1710-1743). The Punta della Dogana, looking towards the Church of San Giorgio Maggiore, Venice, 20th century oil on...
* Italian School. A pair of capriccio landscapes, with figures amongst classical ruins, second half of the 18th century, oil on coarse canvas, uns...
* Circle of Pietro Testa (1611-1650). The Arts Rewarded, oil on canvas, 54.5 x 37.5cm (21.5 x 14.75ins), gilt moulded frameQty: (1)NOTESProvenance...
* Attributed to Anthonie Andriessen (1746-1813). Two ladies seated, winding a skein of wool on a chair, with a young child looking on, pen, brown ...
* Attributed to Anthonie Andriessen (1746-1813). Girl resting with her dog and basket by a building, & Girl seated at a table, two pen, brown ink ...
* Attributed to Cornelis Troost (1697-1750). Design for a sculpted bust of a man, and others
* Attributed to Cornelis Troost (1697-1750). Design for a sculpted bust of a man with plumed hat, red chalk on laid paper, with partial watermark,...
* Attributed to Baldassare Franceschini, Il Volterrano (1611-1689). St. Catherine of Siena receiving the Stigmata, red and black chalk on laid pap...
* Bergmuller (Johann Georg, 1688-1762). The Presentation in the Temple, red chalk on laid paper, with touch of black chalk, thick black ink outer ...
* Circle of Jan Breughel (1568-1625). Three Peasants, probably late 16th or early 17th century, pen, ink and brown wash on laid paper, with additi...
* Attributed to Charles Francisco Burney (1760-1848). Evelina, circa 1780-1800, oval watercolour with touches of black ink, on pale cream wove pap...
* De Cort (Hendrik Frans, 1742-1810). Landscape with figure on horseback with Okehampton Castle in the distance, watercolour and charcoal on card,...
* Dorigny (Louis, 1654–1742). Saint Francis of Assisi, lying on his death bed, welcomed by angels and saints on his ascension to Heaven, pen and b...
* Dutch School. Trees in a landscape with distant mountain, second half of the 17th century, pen and ink on blue paper, with grey wash, black and ...
* Attributed to Charles Errard (1606-1689). Young woman watching over a sleeping male figure on a bed, black chalk and grey wash on slightly irreg...
* Farinati (Paolo, 1524-1606). Female deity holding a fire torch and pouring water from a jug
* Attributed to Paolo Farinati (1524-1606). Female deity holding a fire torch and pouring water from a jug, pen, brown ink and brown wash on pale ...
* Attributed to Paolo Farinati (1524-1606). Head and torso of a female nude seated, holding a letter or paper in her right hand, pen, brown ink an...
* French School. Travellers arriving outside a hostelry at night, 1777, pen and black ink, with grey, brown and yellow watercolour, on laid paper,...
* French School. Landscape with Waterfall, later 18th century, large-scale colour pastel on laid paper, with later canvas relining, 58 x 71 cm (23...
* Hoare (William, of Bath, 1707-1792). Young Girl Sleeping, black and red chalk on laid paper, head and shoulders study of a young girl wearing a ...
* Italian School. Design for a chimneypiece, circa 1820, pen and black ink, brown and grey wash, with traces of pencil, on pale cream wove paper, ...
* Italian School. Group of six tritons and two sea monsters bearing a drowned male figure, late 16th or early 17th century, pen and brown ink on v...
* Italian School. Prisoners in chains in a prison cell, circa 1550, pen and brown ink with grey wash on laid paper, numbered 990 to upper left cor...
* Italian School. Study of a Young Boy Reaching Upwards, 17th century, red chalk on laid paper, laid down on old card, with pale blue wash outer b...
* Le Sueur (Eustache, 1617-1655). Robed male holding a staff, possibly Saint John, seen walking in profile, black chalk on pale blue laid paper, h...
* Circle of Tommaso Minardi (1787-1871). A pair of drawings of female figures, pencil on laid paper, one a full-length profile to right of a femal...
* Pontormo (Jacopo Carrucci, 1494-1557). Monk in full-length habit, standing with hands behind his back, red chalk on pale cream laid paper, with ...
* Reynolds (Joshua, 1723-1792). Portrait Sketch in Profile of Thomas Gainsborough (1727-1788)
* Reynolds (Joshua, 1723-1792). Portrait Sketch in Profile of Thomas Gainsborough (1727-1788), pencil on laid paper, inscribed to upper margin in ...
* Roman School. Nymph chased by a Satyr, with Cupid and two Putti, first half 17th century, pen and brown ink, grey wash, heightened with black ch...
* Romanelli (Giovanni Francesco, 1610-1662, attributed to). Moses striking water from the rock,
* Attributed to Giovanni Francesco Romanelli (1610-1662). Moses striking water from the rock, circa 1640-50, large-scale composition in pen and br...
* Manner of Jacques Stella (1596-1657). The Penitent Magdalene, circa 1640, oval gouache on vellum, three-quarter length portrait of Mary Magdalen...
* Attributed to Adriaen Van Ostade (1610-1685). Peasant seen from behind, carrying a sack, pen, brown ink and brown wash on laid paper, 45 x 31 mm...
* Wille (Johann Georg, 1715-1808). Farmyard Buildings, red chalk on laid paper, signed and dated 1770 lower right, 18.2 x 21.7 cm (7.2 x 8.6 ins),...
* Zehender (Johann Caspar, 1742-1805). Panoramic landscape near Frankfurt, 1773, pen, ink and monochrome watercolour on 2 sheets of laid paper (ce...
* Suyderhoef (Jonas, circa 1613-1686). King Charles I and Queen Henrietta Maria, circa 1650, two etchings with engraving after the portraits by An...
* Bonasone (Giulio, circa 1498-circa 1580). Saturn, seated right, threatened by his three children
* Bonasone (Giulio, circa 1498-circa 1580). Saturn, seated right, threatened by his three children, Jupiter, Neptune and Pluto, after Giulio Roman...
* Duflos (Claude Augustin, 1700-1786). Triomphe de Priape, & Leda (from Nouveaux morceaux pour des paravants, by Francois Boucher), circa 1737, tw...
* Durer (Albrecht, 1471-1528). Adam and Eve (from the Small Passion), circa 1509-10, woodcut on laid paper, depicting the Fall of Man: Adam and Ev...
* Fuseli (Henry, 1741-1825). Chrysogone conceives, in a ray of sunshine, Amoretta and Belphoebe (Edmund Spenser, The Faerie Queene, III, vi), circ...
* Ghisi (Giorgio, 1520-1582). The Death of Procris, after Giulio Romano, circa 1540-46, engraving on two conjoined sheets of laid paper, the later...
* Goya (Francisco de, 1746-1828). Si quebro el Cantaro (Yes he broke the pot), from Los Caprichos, 1799, etching, aquatint and drypoint on off-whi...
* Grimaldi (Giovan Francesco, Il Bolognese, 1606-1680). Landscape with rustic buildings, pen and brown ink on laid paper (upper portion incorporat...
* Italian School. Study of a sculpted figure of a draped standing female (or Venus Genetrix), circa 1600, black chalk on pale blue laid paper, hei...
* Le Prince (Jean Baptiste, 1734-1781). ‘O fortunatos nimium, sua si bona norint Agricolas’
* Le Prince (Jean Baptiste, 1734-1781). O fortunatos nimium, sua si bona norint Agricolas: Virg. Georg. II [Oh Happy Farmers did they but know the...
* After Lucas van Leyden (1494-1533). The Musicians, 1524 [but slightly later], copper engraving on laid paper, without watermark, New Hollstein 1...
* Rembrandt (Harmensz Van Rijn, 1606-1669). Self-Portrait with Raised Sabre, 1634, etching on laid paper, a later impression, with reworking, some...
* Rembrandt van Rijn (Harmensz., 1606-1669). Samuel Manasseh Ben Israel, 1636, etching on thin laid paper, laid down on a backing sheet, without v...
* Sadeler (Johannes, I, 1550-1600). Landscape with a rabbit hunt, after Paul Bril, etching and engraving on laid paper, without watermark, publish...
Stubbs (George Townly, 1756-1815). A complete series of 14 stipple engravings for the Turf Gallery, by George Townly Stubbs after George Stubbs (1...
* Swanevelt (Herman van, 1603 ca.-1655). Vinia Mamfrona for della porta pinciana, 1653, etching
* Swanevelt (Herman van, 1603 ca.-1655). Vinia Mamfrona for della porta pinciana, 1653, etching on laid paper, from the series 'Diverses veuës ded...
* Van Dalen (Cornelis, II, circa 1602-circa 1665). Portrait of the painter Sebastiano del Piombo
* Van Dalen (Cornelis, II, circa 1602-circa 1665). Portrait of the painter Sebastiano del Piombo, after Titian, 1648-1664, engraving on laid paper...
* Van Sichem (Christoffel, II, 1581-1658). Man with a plumed cap, after Hendrik Goltzius, 1607, woodcut on pale cream laid paper, a good, strong i...
* Waterloo (Anthonie, 1610-1690). Dog Drinking, etching on laid paper, a very good impression, trimmed to, or just outside, plate mark, sheet size...
* Silvestre (Israel, 1621-1691). Veue du Chasteau de Fontainebleau, du costé du grand Canal, & Veue du Chasteau de Fontainebleau, du costé de l'Or...
* Asti (Angelo, 1847-1903). Alphonse Daudet, oil on canvas, signed lower right, relined, some surface marks, 51 x 40.5 cm (20 x 15.8 ins), unframe...
* Attributed to Charlotte Avarne (1749-1826). Portrait of a lady, watercolour, heightened with bodycolour, on ivory, oval half-length portrait, ha...
* Beale (Mary, 1633-1699, after). Portrait miniature of King Charles II (1630-1685), late 17th
* After Mary Beale (1633-1699). Portrait miniature of King Charles II (1630-1685), late 17th century, oval oil on tin, head & shoulders portrait, ...
* Bogle (John, 1756-1803). Archie Campbell, 1779, watercolour, heightened with bodycolour, on ivory, oval head & shoulders portrait, half-profile ...
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