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Frederick (Fred) Lawson (British 1888-1968): Dutch Clock Tower, watercolour signed and dated 1910, various labels verso including Wakefield Art Ga...
Joseph Pighills (British 1902-1984): Bridlington Harbour, oil on board signed twice, titled and with similar sketch verso 32cm x 46cm
John Wynne Williams (British fl.1900-1920): 'Micklegate - York' and 'The Market Place - Howden'
John Wynne Williams (British fl.1900-1920): 'Micklegate - York' and 'The Market Place - Howden', pair oval watercolours signed 23cm x 16cm (2)
John Freeman (British 1942-): 'Fylingdales - Mick Atkins and Son' 'Bamburgh Castle' 'Danby Beacon' a
John Freeman (British 1942-): 'Fylingdales - Mick Atkins and Son' 'Bamburgh Castle' 'Danby Beacon' and 'Fryup/Rosedale Road', set of four watercol...
John Freeman (British 1942-): 'Whitby Harbour' 'Holy Island' Snow Scene and View Over Whitby
John Freeman (British 1942-): 'Whitby Harbour' 'Holy Island' Snow Scene and View Over Whitby, set of four watercolours signed and dated '75 throug...
John Freeman (British 1942-): 'Dunstanburgh Castle' 'Farm Islands' 'Runswick' and 'Beck Above Railwa
John Freeman (British 1942-): 'Dunstanburgh Castle' 'Farm Islands' 'Runswick' and 'Beck Above Railway - Goathland', set of four watercolours signe...
Henry Barlow Carter (British 1804-1868): 'Newton Dale - Pickering', watercolour with scratching out unsigned, titled and attributed on the mount, ...
Henry Barlow Carter (British 1804-1868): 'Speeton Cliffs Yorkshire', watercolour unsigned, signed and titled verso and on mount 35cm x 25cm
Henry Barlow Carter (British 1804-1868): Sailing Barges on the River Hull near Beverley, watercolour unsigned 26cm x 36cm
Frederick William Booty (British 1840-1924): Scarborough from Cornelian Bay, watercolour signed and dated 1911, 19cm x 35cm
Samuel Wagstaff (British 1831-1890): Scarborough from White Nab and Cornelian Bay, pair watercolours signed 25cm x 45cm (2)
Harold Gresley (British 1892-1967): Tate Hill Pier Whitby, watercolour signed 28cm x 38cm
Don Micklethwaite (British 1936-): Flamborough Head, watercolour signed 17cm x 25cm
Robert Sheader (British 20th century): Leaving Scarborough Harbour under Stormy Skies, oil on board signed 49cm x 75cm
George Drury (British 1950-): 'Lulrock and Shamrock Racing On the Solent', oil on board signed, titled verso 39cm x 49cm
George Drury (British 1950-): 'Velsheda and Endeavour Racing On the Solent', oil on board signed, titled verso 38cm x 48cm
George Dickinson (British 20th Century): SS Oribita Moored in the Harbour, oil on board signed and dated 1974, 34cm x 57cm
JE Fox (British 20th Century): Two Clippers at Sea, oil on canvas signed and dated 1978, 49cm x 74cm
Keith W Hastings (British 1948-): 'Boats and Barges', oil on board signed, titled verso 29cm x 39cm
Thomas Spinks (British 1847-1927): Landscape with Stream, oil on panel signed and dated 1915, indistinctly titled verso 16.5cm x 24.5cm
English School (Early 19th Century): Travellers Resting by a Lakeside on the Continent, oil on canvas unsigned, indistinctly inscribed verso 45cm ...
John McDougal (British 1851-1945): Distant Sailing Boat, watercolour signed and dated 1921, 19cm x 32cm Condition Report:Unglazed.
Albert Kinsley (British 1852-1945): Tin Ghaut - Whitby, oil on canvas signed, in heavily ornamented swept gilt frame 44cm x 29cm
Samuel A Rayner (British 1806-1879): 'Rowsley Mill' Derbyshire, gouache signed with monogram and dated 1878, titled on the mount, 54cm x 39cm
George Alexander (British 1832-1913): Cattle Watering at 'The River Wharfe Tadcaster', oil on canvas signed and inscribed verso, 27cm x 37cm
William Sidney Cooper (British 1854-1927): Cattle Watering, watercolour signed and dated 1925, 12cm x 18cm
Thomas Ivester Lloyd (British 1832-1942: 'The End of the Furrow', watercolour signed, titled verso 32cm x 23cm
William Manners (British 1860-1930): Figures on a Country Path, oil on panel signed and dated 1906, 20cm x 30cm
William Manners (British 1860-1930): 'Autumn Near Bolton Abbey' and 'Looking Towards the River - Ken
William Manners (British 1860-1930): 'Autumn Near Bolton Abbey' and 'Looking Towards the River - Kent', two watercolours signed, titled on the mou...
William Manners (British 1860-1930): Collecting Sticks by the Riverside, oil on board signed and dated 1891, 19cm x 30cm
William Manners (British 1860-1930): Traveller on a Mountain Path, watercolour signed 12.5cm x 17.5cm
A Gillard (French 19th Century): Figure Foraging by a Shoreline, oil on canvas signed 25cm x 20cm
William Greaves (British 1852-1938): English Homestead and Countryside Scenes, two oils on canvas signed max 29cm x 39cm (2)
William Charles Estall (British 1857-1897): Cattle and River Landscape, oil on board signed with initials 25cm x 33cm
English School (Early 20th century): Pulling the Haycart at Sunset, oil on canvas unsigned 64cm x 76cm
C Wouters (Dutch 20th Century): Grazing Cows, oil on board signed 38cm x 58cm
John Baragwanath King (British 1864–1939): A Devonshire Church, watercolour signed, indistinctly titled on label verso 45cm x 27cm
John Varley (British 1778-1842): 'Evening Landscape, with River, Church Tower and Figures', watercolour signed, titled on Albany Gallery label ver...
After Frank Rousse (British fl.1897-1917): Harbour Scene, watercolour bearing signature 28cm x 40cm
James William Booth (Staithes Group 1867-1953): Figures on the Beach, watercolour signed 26cm x 36cm
Albert George Stevens (Staithes Group 1863-1925): 'Glaisdale Woods', watercolour signed, titled verso 34cm x 24cm Provenance: purchased David Dugg...
Arthur William Redgate (British 1856-1931): Country Lane with Hens and Cattle, oil on panel signed 24cm x 35cm Provenance: with Herbert Evans, Joh...
William Gilbert Foster (British 1855-1906): Shepherd and Flock above Runswick Bay, watercolour signed 25.5cm x 36.5cm
English Impressionist School (19th/20th Century): Autumn Trees on the Harbourside, oil on panel unsigned 23.5cm x 34.5cm
English School (20th century): Sheep in a Field, oil on canvas indistinctly signed 22cm x 31cm
Carl Herman (Scarborough 1887-1955): 'The Road to the Everley' - Hackness, watercolour signed, titled in a later hand verso 28cm x 35cm
George Graham (British 1881-1941): Cows Grazing near Rye, oil on canvas unsigned, attributed and indistinctly titled verso 24cm x 34cm
John Smith Atherton (British 1877-1943): The Church Park in Summer, oil on board signed, with another landscape verso 34cm x 43cm
George Graham (British 1881-1949): 'Over the Moor', watercolour signed and dated 1914, titled on label verso 25cm x 35cm
Charles Horwood (British 1907-1975): Lowestoft Seascape, oil on board signed 26cm x 34cm
Orlando Greenwood (British 1892-1989): Landscapes, five watercolours and one pencil sketch variously signed, max 25cm x 35cm (6)
Mary Wastie (Cornish 1935-): Rocky Seascape near Pendeen, oil on canvas signed 39cm x 65cm
Mary Wastie (Cornish 1935-): Sunshine Over a Lake, oil on canvas signed 29cm x 44cm
Michael Crawley (British 1938-): The Waterside, oil on canvas signed 45cm x 55cm
David Anderson (Scottish 19th Century): 'Boats on Loch Long' and 'Farm and Four Trees', pair pastels one signed, titled verso max 26cm x 37cm (2)
Harold Wharfe (Yorkshire 1916-1999): 'Newby Hall - Yorkshire', watercolour signed titled and dated 1967, 42cm x 94cm
Harold Wharfe (Yorkshire 1916-1999): Bolton Abbey, oil on board signed with initials and dated '74, 57cm x 118cm
Harold Wharfe (Yorkshire 1916-1999): 'Building the Metro Bridge - Newcastle', watercolour signed titled and dated 1980, 49cm x 75cm
Harold Wharfe (Yorkshire 1916-1999): 'St Nicholas Cathedral - Newcastle', watercolour signed and titled 43cm x 30cm
John Mackie (Scottish 1953-): Tree Lined Street in Paris, pastel signed and dated '02, 24cm x 34cm
