Affordable Art

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room Scarborough, North Yorkshire

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Affordable Art

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Frederick (Fred) Lawson (British 1888-1968): Dutch Clock Tower, watercolour signed and dated 1910, various labels verso including Wakefield Art Ga...

Joseph Pighills (British 1902-1984): Bridlington Harbour, oil on board signed twice, titled and with similar sketch verso 32cm x 46cm

John Freeman (British 1942-): 'Whitby Harbour' 'Holy Island' Snow Scene and View Over Whitby, set of four watercolours signed and dated '75 throug...

Henry Barlow Carter (British 1804-1868): 'Newton Dale - Pickering', watercolour with scratching out unsigned, titled and attributed on the mount, ...

Henry Barlow Carter (British 1804-1868): 'Speeton Cliffs Yorkshire', watercolour unsigned, signed and titled verso and on mount 35cm x 25cm

Frederick William Booty (British 1840-1924): Scarborough from Cornelian Bay, watercolour signed and dated 1911, 19cm x 35cm

George Drury (British 1950-): 'Lulrock and Shamrock Racing On the Solent', oil on board signed, titled verso 39cm x 49cm

George Drury (British 1950-): 'Velsheda and Endeavour Racing On the Solent', oil on board signed, titled verso 38cm x 48cm

George Dickinson (British 20th Century): SS Oribita Moored in the Harbour, oil on board signed and dated 1974, 34cm x 57cm

JE Fox (British 20th Century): Two Clippers at Sea, oil on canvas signed and dated 1978, 49cm x 74cm

Keith W Hastings (British 1948-): 'Boats and Barges', oil on board signed, titled verso 29cm x 39cm

Thomas Spinks (British 1847-1927): Landscape with Stream, oil on panel signed and dated 1915, indistinctly titled verso 16.5cm x 24.5cm

English School (Early 19th Century): Travellers Resting by a Lakeside on the Continent, oil on canvas unsigned, indistinctly inscribed verso 45cm ...

John McDougal (British 1851-1945): Distant Sailing Boat, watercolour signed and dated 1921, 19cm x 32cm Condition Report:Unglazed.

Albert Kinsley (British 1852-1945): Tin Ghaut - Whitby, oil on canvas signed, in heavily ornamented swept gilt frame 44cm x 29cm

Samuel A Rayner (British 1806-1879): 'Rowsley Mill' Derbyshire, gouache signed with monogram and dated 1878, titled on the mount, 54cm x 39cm

George Alexander (British 1832-1913): Cattle Watering at 'The River Wharfe Tadcaster', oil on canvas signed and inscribed verso, 27cm x 37cm

William Sidney Cooper (British 1854-1927): Cattle Watering, watercolour signed and dated 1925, 12cm x 18cm

Thomas Ivester Lloyd (British 1832-1942: 'The End of the Furrow', watercolour signed, titled verso 32cm x 23cm

William Manners (British 1860-1930): Figures on a Country Path, oil on panel signed and dated 1906, 20cm x 30cm

William Manners (British 1860-1930): Collecting Sticks by the Riverside, oil on board signed and dated 1891, 19cm x 30cm

William Greaves (British 1852-1938): English Homestead and Countryside Scenes, two oils on canvas signed max 29cm x 39cm (2)

William Charles Estall (British 1857-1897): Cattle and River Landscape, oil on board signed with initials 25cm x 33cm

C Wouters (Dutch 20th Century): Grazing Cows, oil on board signed 38cm x 58cm

John Baragwanath King (British 1864–1939): A Devonshire Church, watercolour signed, indistinctly titled on label verso 45cm x 27cm

John Varley (British 1778-1842): 'Evening Landscape, with River, Church Tower and Figures', watercolour signed, titled on Albany Gallery label ver...

After Frank Rousse (British fl.1897-1917): Harbour Scene, watercolour bearing signature 28cm x 40cm

Albert George Stevens (Staithes Group 1863-1925): 'Glaisdale Woods', watercolour signed, titled verso 34cm x 24cm Provenance: purchased David Dugg...

Arthur William Redgate (British 1856-1931): Country Lane with Hens and Cattle, oil on panel signed 24cm x 35cm Provenance: with Herbert Evans, Joh...

English School (20th century): Sheep in a Field, oil on canvas indistinctly signed 22cm x 31cm

Carl Herman (Scarborough 1887-1955): 'The Road to the Everley' - Hackness, watercolour signed, titled in a later hand verso 28cm x 35cm

George Graham (British 1881-1941): Cows Grazing near Rye, oil on canvas unsigned, attributed and indistinctly titled verso 24cm x 34cm

John Smith Atherton (British 1877-1943): The Church Park in Summer, oil on board signed, with another landscape verso 34cm x 43cm

George Graham (British 1881-1949): 'Over the Moor', watercolour signed and dated 1914, titled on label verso 25cm x 35cm

Orlando Greenwood (British 1892-1989): Landscapes, five watercolours and one pencil sketch variously signed, max 25cm x 35cm (6)

Mary Wastie (Cornish 1935-): Sunshine Over a Lake, oil on canvas signed 29cm x 44cm

Michael Crawley (British 1938-): The Waterside, oil on canvas signed 45cm x 55cm

David Anderson (Scottish 19th Century): 'Boats on Loch Long' and 'Farm and Four Trees', pair pastels one signed, titled verso max 26cm x 37cm (2)

Harold Wharfe (Yorkshire 1916-1999): 'Newby Hall - Yorkshire', watercolour signed titled and dated 1967, 42cm x 94cm

Harold Wharfe (Yorkshire 1916-1999): Bolton Abbey, oil on board signed with initials and dated '74, 57cm x 118cm

Harold Wharfe (Yorkshire 1916-1999): 'Building the Metro Bridge - Newcastle', watercolour signed titled and dated 1980, 49cm x 75cm

Harold Wharfe (Yorkshire 1916-1999): 'St Nicholas Cathedral - Newcastle', watercolour signed and titled 43cm x 30cm

John Mackie (Scottish 1953-): Tree Lined Street in Paris, pastel signed and dated '02, 24cm x 34cm

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