Lot

12

Eppillus Rex. Southern Region. c.20BC-AD1. Celtic silver unit. 13mm. 1.32g.

In Chris Rudd Auction 189

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Eppillus Rex. Southern Region. c.20BC-AD1. Celtic silver unit. 13mm. 1.32g. - Image 1 of 2
Eppillus Rex. Southern Region. c.20BC-AD1. Celtic silver unit. 13mm. 1.32g. - Image 2 of 2
Eppillus Rex. Southern Region. c.20BC-AD1. Celtic silver unit. 13mm. 1.32g. - Image 1 of 2
Eppillus Rex. Southern Region. c.20BC-AD1. Celtic silver unit. 13mm. 1.32g. - Image 2 of 2
Auctioneer has chosen not to publish the price of this lot
Norwich, Norfolk

Eppillus Rex. c.20BC-AD1. Silver unit. 13mm. 1.32g. Central crescent with  pellet daisy either side, REX above, CALLE below, beaded border./ Eagle right, EPP behind, beaded border. ABC 1160, VA 415, BMC 1016-60, S 99. Good EF, good quality lightly toned silver, clear inscription. One of the crispest we’ve had, an exceptionally attractive coin, as fresh as the day it was minted. Ex John Follows collection. Found near Guildford, Surrey, 1980s. SCARCE  

Calleva was a fine new town when this coin was struck, with resident foreign merchants and plentiful imports from Roman Gaul – a coveted prize for whoever could claim it and tax its ample revenues. Eppillus (‘Little Horse’) held it c.20 BC-AD 1, before he left for an altogether easier life in Kent. He comes across as a confident military ruler, equal with his brother Tincomarus in the wealthy Reginian district, with its vital harbours: both kings were under treaty with Augustus (that is what Latin rex signifies, and Eppillus was the first British king to record it on a coin). This silver unit, designed by his superb, Roman-trained, engraver adapts the design of a recent Augustan denarius (RCV 1640, Rome, 19 BC) to make its crescent moon with upright horns hint at the hollow, legendary ship that takes the Sun safely through the night, with the 7-point starburst clusters of a dark winter’s night at prow and stern for context (cf. e.g. ABC 2205). Here, however, what it’s bearing is a living king’s Latin title, with CALLE underneath, in place of the water and oars. What, indeed, was keeping Eppillus afloat, if it wasn’t Calleva? On the reverse, his name flanks an eagle, a blatant a Roman emblem of imperial command. This observant artist took care with tail and feet to show an eagle launching to hunt or defend its territory, and it was calling, ‘Let Eppillus’ enemies beware.’

Eppillus Rex. c.20BC-AD1. Silver unit. 13mm. 1.32g. Central crescent with  pellet daisy either side, REX above, CALLE below, beaded border./ Eagle right, EPP behind, beaded border. ABC 1160, VA 415, BMC 1016-60, S 99. Good EF, good quality lightly toned silver, clear inscription. One of the crispest we’ve had, an exceptionally attractive coin, as fresh as the day it was minted. Ex John Follows collection. Found near Guildford, Surrey, 1980s. SCARCE  

Calleva was a fine new town when this coin was struck, with resident foreign merchants and plentiful imports from Roman Gaul – a coveted prize for whoever could claim it and tax its ample revenues. Eppillus (‘Little Horse’) held it c.20 BC-AD 1, before he left for an altogether easier life in Kent. He comes across as a confident military ruler, equal with his brother Tincomarus in the wealthy Reginian district, with its vital harbours: both kings were under treaty with Augustus (that is what Latin rex signifies, and Eppillus was the first British king to record it on a coin). This silver unit, designed by his superb, Roman-trained, engraver adapts the design of a recent Augustan denarius (RCV 1640, Rome, 19 BC) to make its crescent moon with upright horns hint at the hollow, legendary ship that takes the Sun safely through the night, with the 7-point starburst clusters of a dark winter’s night at prow and stern for context (cf. e.g. ABC 2205). Here, however, what it’s bearing is a living king’s Latin title, with CALLE underneath, in place of the water and oars. What, indeed, was keeping Eppillus afloat, if it wasn’t Calleva? On the reverse, his name flanks an eagle, a blatant a Roman emblem of imperial command. This observant artist took care with tail and feet to show an eagle launching to hunt or defend its territory, and it was calling, ‘Let Eppillus’ enemies beware.’

Chris Rudd Auction 189

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