Clarets & Carats The Wine, Jewellery, Silver & Watches Sale

the oval cut ruby of fine crimson red, estimated weight 1.74cts, claw set between two old cushion cut diamonds, total estimated weight 2.05cts, co...

the closed crescent with an inner line of round single cut diamonds in white gold with an outer graduated line of oval and round cut rubies in yel...

each post headed by an old round brilliant cut diamond in a millegrain collet, suspending an articulated and graduated line of three more similar ...

with an oval cut ruby claw set at the base of the stem which curls around to a gently S shaped leaf, pavé set with round brilliant and single cut ...

designed as a uniform line of overlapping beaded oval links with a central beaded line joining alternate links, and a length at the front faced wi...

designed as a uniform line of overlapping beaded oval links with a central beaded line joining alternate links, and a length at the front faced wi...

of oval outline with scrolling and foliate edge holding a textured ground, above which appear to float filigree work flowers and fruits, set to th...

the emerald cut emerald of an excellent saturated peacock green, measuring approximately 6-6.5mm square, four claw set in a petal edge border of t...

each designed as a kite shaped convex plaque with reeded flares meeting at an 8mm diameter collet set cabochon emerald, and with five small round ...

the old round brilliant cut diamond, estimated weight 1.49cts, estimated colour L, estimated clarity VS1, set with a delicate trefoil of beads at ...

set to the centre with an oval to cushion shaped sugar loaf cabochon emerald of vivid peacock green, with a collet set baguette cut diamond to eit...

of bombé form collet set to the top with an emerald cut Colombian emerald, estimated weight approximately 9.30cts, to recurved petals alternating ...

maker's mark 'HK over 23', lion passant for 2nd standard purity 833/1000, Schoonhoven 1838, of rectangular form, with reeded decoration all over, ...

circa 1900, maker's mark 'M.N', possibly Moritz Nass, with Austrian marks for Vienna and the Hoopoe bird number 2 indicating 900/1000 standard sil...

sponsor marked Steinhart & Co, with Birmingham import marks for Sterling silver, 1927, of rectangular form with engine turned base, the sides with...

unidentified marks to the base, and with London import marks for Sterling silver 1926 (sponsor's mark not traced), of rectangular form, the sides ...

marked 'O. Landry', together with the arms of Geneva, of oval form, the body plain and gilded, the friction fitting cover to match decorated with ...

maker's mark unreadable, marked with Minerva head guarantee mark for 800/1000 standard silver, and possibly also with boar's head guarantee mark, ...

the snuffbox, Birmingham 1997, of rectangular form, the base decorated with engine turned engraving, the hinged cover decorated with a chased and ...

maker's mark for Harold Child, London 1904, of drum shape, the plain base with light engine turned wavy engraving, the friction fitting fully mark...

sponsor's mark George Stockwell, with London import marks for Sterling silver 1929, of rectangular form, the sides and piano hinged cover decorate...

sponsor's mark F.B. Reynolds with London import marks for Sterling silver, 1930, of rectangular form, the piano hinged cover decorated with a diag...

by Beddoes & Co, Birmingham 1936, of elongated rectangular form, the piano hinged cover decorated with sky blue guilloché enamel in the Art Deco s...

by Henry Clifford Davis, Birmingham 1925, of rectangular form, the piano hinged cover decorated with a swirl of blue guilloché enamel in a bright ...

sponsor's mark Henry Charles Freeman, with London import marks for Sterling silver, 1935, of rectangular form and decorated all over in brick red ...

by Adie Brothers, Birmingham 1951/52, the square shaped compact 6.5cm x 6.5cm with push in thumbpiece and piano hinged cover decorated with a spra...

Birmingham 1819, of rectangular, somewhat concave form, the piano hinged cover decorated with a border of silver decorated with fruiting vine, to ...

by William Edwards, London 1821, of rectangular form with reeded decoration all over, the piano hinged cover with monogrammed rectangular cartouch...

the first by Cocks & Bettridge, Birmingham 1810, of rectangular form with cut corners, decorated all over with bright cut decoration, the body wit...

Birmingham 1809, of rectangular form with curved corners, the sides and base with wrigglework bright cut engraved decoration, the base engraved wi...

Birmingham 1813, of elongated octagonal form, decorated to the sides with lines of bright cut engraving, the hinged cover decorated to match and w...

maker's mark indistinct, possibly by Susannah Barker, London 1786, of navette form, the fully marked hinged cover with a border of bright cut engr...

Birmingham 1802, of navette form, the side decorated with two lines of bright cut engraved dots below two bright cut wiggle lines, the hinged cove...

London, circa 1681, maker's mark only, (PH within scalloped rectangle), of plain cylindrical form with friction fitting cover and removable cylind...

the first, by George Unite for Benzie of Cowes, Birmingham 1882, of rectangular form, with sprung hinged cover activated by a push button to the s...

the first, London 1886, of plain rectangular form with sprung hinged lid and strike to the base, the front with the motto 'A match for you at any ...

the first by James Fenton & Co, Birmingham 1922, of rectangular form with sprung hinged lid and strike to the base, decorated with bright cut engr...

the first by George Unite for Cooke & Kelvey, Birmingham 1900, of plain rectangular form with sprung hinged cover, strike to the cover top, and wi...

the tubular body with thermometer, the base, of cut cornered rectangular form designed to take an engraved seal (currently vacant), the friction f...

by the Goldsmiths' & Silversmiths' Company, London 1898, in the form of a house, the 'roof' with central piano hinge, one half covered, dished to ...

by Cohen & Charles, Birmingham 1904, of traditional form on a scroll edged base with ivory scale and circular spring loaded top plate, loaded, mar...

by William Summers, London 1881, constructed of heavy gauge sheet on a loaded square base with personal engraving, the front section topped with s...

by James Deakin & Sons (John & William F Deakin), Chester 1899, of rectangular form, the outer cover decorated in black and yellow enamel to repre...

the hinged cover opens to reveal a four sectioned interior, each with a manicure instrument by Mayer & Meltzer, each tool riveted between two plat...

by William Summers, London 1881, of rectangular form with a border of bright cut engraving and a central crest, the hinged end opens to access the...

by Charles Henry Dumenil, London 1904, the beaker shaped body covered in engine turned engraving, the friction fitting cover similarly engraved ar...

possibly by William M Hayes, London 1911, of plain rectangular form, with sprung loaded thumbpiece and sprung loaded and piano hinged cover, the g...

by Joseph Gloster, Birmingham 1905, featuring a scene in repoussé of Salisbury cathedral with a horse and cart in the foreground and a border of f...

possibly Dutch, of slender, tapering form, decorated with embossed scrolls and dancing figures, with ring connector and flared rim (Dimensions: h:...

both of conical form, the first by David & Lionel Spiers, Birmingham 1884, decorated all over with bright cut engraved foliage, with part marked d...

by Hilliard & Thomason, Birmingham 1883, of rectangular scroll edged form, the front decorated with alternate diagonal panels of foliate engraving...

London 1947, square in cross section, monogrammed, the ends with removable friction fitting sections each topped with a ball finial, one containin...

dated 1912

each loose mounted in a collet with claws, and joined by double chains and a hidden box clasp; length 19cm, gross weight 34.1g; in associated case...

comprising two Austrian 4 Ducats dated 1830 and 1915, together with an Austrian 1 Ducat dated 1915 and a French 20 Franc dated 1904, 37.8g gross (...

the first in the shape of a salmon, with suspension ring to the top and removable friction fitting tail section to reveal the propelling pencil, s...

by B.H. Britton & Sons, Birmingham 1926, of rectangular form decorated all over with engine turned engraving within an engraved chevron border, th...

by B.H. Britton & Sons, Birmingham 1927, of rectangular form with chamfered edge, decorated all over with engine turned engraving within a Greek k...

by Henry Charles Freeman, Birmingham 1906, the inner steel cutter hinged by rivet to one end, with plain sides and jump ring fitting (Dimensions: ...

the first, Chester 1913, the two plain gold plates riveted between the steel action, with two folding blades and simple part marked pendant loop, ...