Art & Design from 1860

A 19th century English concentric millefiore paperweight, possibly Whitefriars, the bands of white, pink and blue canes with a concave underside a...

Attributed to Powell, a large ribbon-trailed green glass vase, the ovoid body with rough finished neck, unmarked 35cm (14in)

An early 20th century moulded green glass dish, modelled with a reclining female nude, unmarked 8½ x 19 x 14cm (3 x 7 x 5in)

A Daum acid etched and enamelled glass cover, later mounted in a red leather box, the glass decorated flower heads and gilt highlighting 10 x 17½ ...

René Lalique, a pair of frosted-glass birds, one modelled feeding, the other simply squatting, the latter with moulded R. Lalique mark (2) Both h...

A set of six Vetri Della Arte (Vedar) enamelled glass goblets, each decorated with a band of dancing putti, all but one signed 20½cm (8in)

A Venini cased glass vase, the red glass baluster form with white interior, signed to base 33cm (13in)

Jonathan Harris, Ironbridge, a Silver Cameo Trials vase, 2005, the cameo glass ovoid form decorated with birds and trees, signed and dated to unde...

A Martin Brothers reticulated stoneware jardiniere by Robert Wallace Martin, pierced with foliate designs and glazed in shades of blue, brown and ...

A Doulton Lambeth stoneware oil lamp by Mark V. Marshall, the brass frame supporting a bowl with incised panels of griffin amidst foliage, the fon...

A Royal Doulton stoneware jardiniere stand, the baluster form decorated with floral Art Nouveau motifs to a mottled green ground, impressed marks ...

An Edwin Beer Fishley, Fremington jug, the yellow glazed body with sgraffito ears of wheat and farming implements and the text of 'In God We Trust...

A large Carter, Stabler Adams Poole pottery vase, the unglazed baluster form painted with brown and terracotta slips, impressed marks and painted ...

An early 20th century glazed stoneware model of a female nude, modelled styling her hair whilst seated upon a rock, bears indistinct signature to ...

A pair of Dax figures of Pierrot and Columbine, from models attributed to Edouard Cazaux, each marked to top of base (2) 34cm (13in)

A Royal Dux figure of a Classical lady, she stands draped in a pink robe, a basket of crustacea in one hand, a conch in the other, applied and imp...

A Goldscheider model of a mare and foal, in white and turquoise crackle glaze, painted and impressed marks 21cm (8in)

A Goldscheider model of two Scotties, the seated dog holds a bone whilst the other stands behind, impressed marks 17 x 21cm (7 x 8in)

A Joesef Schuster model of a lady with a Borzoi, probably designed by Josef Lorenzl, modelled in a long dress with a wide brimmed hat, printed, pa...

A large Wiener Kunstkeramische Werkstätten Busch and Ludescher pottery figure of a gypsy lady, modelled in yellow dress and barefoot carrying a la...

A rare Goldscheider model of an Oriental lady feeding a fawn designed by Marcel Goldscheider, she kneels with the animal to her side, impressed ma...

A Wiener Kunstkeramische Werkstätten Busch and Ludescher pottery figure of a lady, modelled wearing yellow dress with one hand on hip and carrying...

An earthenware vase by Professor Max Läuger, slip decorated with foliate design over deep blue ground, incised marks 32cm (12in)

Ida Meisinger for Goldscheider, a white glazed model of a terrier, with pricked ears, printed and impressed marks 13cm (5in)

Ida Meisinger for Goldscheider, an orange glazed model of a terrier, seated, printed and impressed marks 20cm (8in)

Joseph Olbrich for Villeroy & Boch, two large jugs, each transfer decorated to neck and spout, printed marks 29cm (11in)

An early Ruskin vase, the fluted bottle form vase with duck egg blue to purple glaze, impressed Howson-Taylor monogram 21½cm (8in)

A Clarice Cliff Coral Firs pattern dinner service, comprising six dinner plates, six side plates and six medium plates, three graduated oval servi...

A Clarice Cliff Crocus pattern tea service, comprising teapot and cover, milk jug, preserve pot and cover, slop bowl, six teacups and saucers, six...

A Clarice Cliff Floreat pattern fruit bowl, the circular bowl raised on a spreading circular foot, printed marks 8 x 25½cm (3 x 10in)

A Carlton Ware 'Moderne' coffee service, circa 1935, the ovoid shaped pieces with wavy handles and glazed in a mottled blue, comprising coffee pot...

A small Poole stoneware vase by Guy Sydenham, with carved and glazed repeated circular patterns, impressed marks 10cm (4in)

A Troika wheel lamp base, designed by Alison Brigden, painted marks 27 x 22cm (11 x 9in)

Jean Powell of Craig Bragdy Design, Denbigh, Wales, a tiled panel of a puffer fish, signed along the base 'Powell Tiles International, Denbigh, Wa...

Stig Lindberg for Gustavsberg, a mid-20th century faience tazza, decorated with circular motifs to bands of yellow and white, painted marks 17 x 1...

A large Moorcroft 'After the Storm' pattern vase, 1996, produced for the 1997 Centenary, signed by Walter Moorcroft and numbered 146/200 53cm (21i...

A large Moorcroft 'Kyoto' pattern vase designed by Rachel Bishop, 1994, signed by John Moorcroft and numbered 57/100, also marked R.J.B Des. 21.2....

A large Moorcroft 'Lamia' pattern vase designed by Rachel Bishop, 1995, signed by John Moorcroft and numbered 52/100, also marked R.J.B Des. 13.10...

A Moorcroft Anemone pattern jar and cover, decorated to a yellow ground, impressed marks 11½cm (4in)

A Moorcroft Anemone pattern vase, the globular form decorated to a yellow ground, painted and impressed marks, 16cm (6in)

A Moorcroft Cherries pattern bowl, of oval form, together with a Queen's Choice pattern jug (2)

A Moorcroft Cluny pattern vase, the baluster shape with painted and impressed marks 20cm (8in)

A Moorcroft Finches pattern vase, the globular vase to a blue ground, painted and impressed marks 16cm (6in)

A Moorcroft Flame of the Forest pattern jar and cover, painted and impressed marks, dated (19)97 16cm (6in)

A Moorcroft Hearts Ease pattern vase, the slender baluster form with painted and impressed marks, signed by Rachel Bishop and dated 2000 17cm (7in...

A Moorcroft Hibiscus pattern jar and cover, decorated to a pale blue ground, impressed marks and original paper label 11½cm (4in)

A Moorcroft Mamoura pattern bowl, the circular form with painted and impressed marks 7 x 16cm (3 x 6in)

A Moorcroft Passion Fruit pattern jug, with painted and impressed marks, dated (19)97 14cm (5in)

A Moorcroft Poppy pattern vase, of squat baluster form, painted and impressed marks, dated (19)96 11cm (4in)

A Moorcroft Red Tulip pattern vase, of squat baluster form, painted and impressed marks 11cm (4in)

A Moorcroft Rennie Mackintosh pattern jug, the tall slender form with painted and impressed marks, dated (19)95 24cm (9in)

A Moorcroft Sunflower pattern vase, decorated to a red ground, painted and impressed marks, dated (19)94 20cm (8in)

A Moorcroft trial Hellebore pattern vase, the baluster form with painted and impressed marks, dated 6.4.00 16cm (6in)

A Moorcroft Trial Thistle pattern vase, the globular form with painted and impressed marks, dated 24.6.04 11cm (4in)

A Moorcroft Woodstock pattern limited edition vase, designed by Kelly Goodwin, signed and dated 2002, numbered 114/300 12cm (5in)

A small Moorcroft trial Rose pattern pin dish, together with a similar dish in the Oberon pattern and a small bowl in the Magnolia pattern (3)

Sally Tuffin for Moorcroft, a large limited edition 'Carp' pattern vase, 1992, signed by John Moorcroft and numbered 60/100, also with painted S.T...

Quentin Bell, a Fulham Pottery figural lamp base and painted shade, the central column with two Spanish women standing back to back on either side...

Quentin Bell, a Fulham Pottery figural lamp base and painted shade, the central column with a King and Queen to either side with restrained mermai...

Quentin Bell, a Fulham Pottery oval dish, with central portrait head to a border of oak leaves, incised to verso "Fulham Pottery, Quentin Bell" 36...