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Tran Duy (Vietnamese, 1920-2014) La pagode Thầy (Chùa Thầy) en Hà Tây
1/2
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Paris, Europe
Description
Tran Duy (Vietnamese, 1920-2014) La pagode Thầy (Chùa Thầy) en Hà Tây 1984 signée, datée, titrée et localisée (en bas à gauche) encre et couleurs sur soie signed, dated, titled and located (lower left) ink and colour on silk 30.5 x 46 cm (12 x 18 1/8 in) Footnotes: Provenance Collection of a European diplomat in Vietnam between 1983-1987, acquired directly from the artist in Hanoi before 1987 Tran Duy, whose real name is Tran Quang Tang, was born in Hue into a royal family. At the end of high school, around 1940, he met Mai Van Thu and Vo Lang, who were studying at the École des Beaux-Arts de l'Indochine in Hanoi. Tran Duy decided to enrol himself and began studying at this school. In the late 1960s, Tran Duy turned to painting landscapes on silk. He particularly liked to draw trees, ancient temples and shrines, as well as houses of the old days. His paintings are natural and elegant, his style is cautious, thoughtful, meticulous, soft, and gentle. It is even somewhat restrained when it comes to expressing small details, but implicitly, without compromising the vitality and richness of the emotional aspect. His paintings are characterised by thin but bold brushstrokes and an insipid but subtle colour palette. For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing
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Tran Duy (Vietnamese, 1920-2014) La pagode Thầy (Chùa Thầy) en Hà Tây 1984 signée, datée, titrée et localisée (en bas à gauche) encre et couleurs sur soie signed, dated, titled and located (lower left) ink and colour on silk 30.5 x 46 cm (12 x 18 1/8 in) Footnotes: Provenance Collection of a European diplomat in Vietnam between 1983-1987, acquired directly from the artist in Hanoi before 1987 Tran Duy, whose real name is Tran Quang Tang, was born in Hue into a royal family. At the end of high school, around 1940, he met Mai Van Thu and Vo Lang, who were studying at the École des Beaux-Arts de l'Indochine in Hanoi. Tran Duy decided to enrol himself and began studying at this school. In the late 1960s, Tran Duy turned to painting landscapes on silk. He particularly liked to draw trees, ancient temples and shrines, as well as houses of the old days. His paintings are natural and elegant, his style is cautious, thoughtful, meticulous, soft, and gentle. It is even somewhat restrained when it comes to expressing small details, but implicitly, without compromising the vitality and richness of the emotional aspect. His paintings are characterised by thin but bold brushstrokes and an insipid but subtle colour palette. For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing
La Modernité Vietnamienne Online
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