50
Bwa Mask, Burkina Faso
1/4
Auctioneer has chosen not to publish the price of this lot
Los Angeles, California
Description
Bwa Mask, Burkina Faso Wood, pigments Height 74 1/4in (188.6cm) Provenance Emil Storrer (1917-1979), Zurich, collected in situ in the 1950s Galerie AAA/René Rasmussen (1912-1979), Paris, presumably acquired from the above Ralph Nash (1928-2014)/Art of Man, London Alexander Martin Gallery, London Harry A. Franklin (1904-1983) Gallery, Beverly Hills Edwin and Cherie Silver, Los Angeles, acquired from the above 17 March 1975 Sotheby's, New York, The Collection of Edwin & Cherie Silver, 13 November 2017, Lot 12 Private Collection, United States Literature Himmelheber, Hans, Negerkunst und Negerkünstler, Braunschweig, 1960, unpaginated, col. pl. III (in situ photograph by Emil Storrer) Martin, Alexander, Fine African Sculpture, London, 1971, unpaginated, pl. 5 Roy, Christopher D., Art of the Upper Volta Rivers, Meudon, 1987, p. 275, cat. no. 234 As noted by Christopher Roy (Ibid. pp. 274-276), 'The most impressive Bwa masks are the great plank masks, named nwantantay in Boni and Dossi. These are carved on two basic patterns: the majority of plank masks consist of a large oval facial area with a protuberant round mouth through which the performer can see. Below the mouth are three black leaf shapes (triangles), and above are two great target eyes. The face is connected to the plank by a diamond or lozenge from which protrudes a downward-curving and very prominent hook. The plank is a large, vertical rectangle marked with geometric patterns in black and white, and sometimes red. This is, in turn surmounted by a large crescent with the opening turned up.' Roy further notes that the checkerboard design on the rectangular plank represents the separation of knowledge and ignorance (p. 275, fig. 234). For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing
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Bwa Mask, Burkina Faso Wood, pigments Height 74 1/4in (188.6cm) Provenance Emil Storrer (1917-1979), Zurich, collected in situ in the 1950s Galerie AAA/René Rasmussen (1912-1979), Paris, presumably acquired from the above Ralph Nash (1928-2014)/Art of Man, London Alexander Martin Gallery, London Harry A. Franklin (1904-1983) Gallery, Beverly Hills Edwin and Cherie Silver, Los Angeles, acquired from the above 17 March 1975 Sotheby's, New York, The Collection of Edwin & Cherie Silver, 13 November 2017, Lot 12 Private Collection, United States Literature Himmelheber, Hans, Negerkunst und Negerkünstler, Braunschweig, 1960, unpaginated, col. pl. III (in situ photograph by Emil Storrer) Martin, Alexander, Fine African Sculpture, London, 1971, unpaginated, pl. 5 Roy, Christopher D., Art of the Upper Volta Rivers, Meudon, 1987, p. 275, cat. no. 234 As noted by Christopher Roy (Ibid. pp. 274-276), 'The most impressive Bwa masks are the great plank masks, named nwantantay in Boni and Dossi. These are carved on two basic patterns: the majority of plank masks consist of a large oval facial area with a protuberant round mouth through which the performer can see. Below the mouth are three black leaf shapes (triangles), and above are two great target eyes. The face is connected to the plank by a diamond or lozenge from which protrudes a downward-curving and very prominent hook. The plank is a large, vertical rectangle marked with geometric patterns in black and white, and sometimes red. This is, in turn surmounted by a large crescent with the opening turned up.' Roy further notes that the checkerboard design on the rectangular plank represents the separation of knowledge and ignorance (p. 275, fig. 234). For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing
African, Oceanic & Pre-Columbian Art
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