109
Luu Cong Nhan (Vietnamese, 1931-2007) Three drawings with figures and a print
Luu Cong Nhan (Vietnamese, 1931-2007) Three drawings with figures and a print i) 1968, signed (lower left) and dated (lower right), charcoal on paper ii) signed and numbered 14/56 (lower left), impression on paper iii) 1957, signed and dated (lower centre), ink on paper iv) 1949, signed (lower left) and dated (lower right), charcoal on paper the largest: 48 x 24.5 cm (18 7/8 x 9 5/8 in) Footnotes: Provenance Luu Cong Nhan studio Thence in the family by descent Acquired from the above by the present owner Private collection, USA Luu Cong Nhan 人物畫三幀 及 版畫一幀 i) 1968年作, 藝術家簽名 (左下) 及紀年(右下), 炭筆紙本 ii) 藝術家簽名, 版數:14/56 (左下), 版畫紙本 iii) 1957年作, 藝術家簽名及紀年 (中下), 墨水紙本 iv) 1949年作, 藝術家簽名 (左下) 及紀年(右下), 炭筆紙本 來源 Luu Cong Nhan藝術家工作室 後經家族流傳 現藏家得自上述來源 美國私人收藏 Lưu Công Nhân was a distinguished artist whose rural upbringing deeply influenced his artistic journey. The serene beauty of nature and the simple yet earnest lives of the farmers and labourers who surrounded him during his formative years helped shape his artistic sensibility. In 1954, Nhân graduated with distinction from the first Resistance Class of the Vietnam University of Fine Arts, where he was mentored by the revolutionary painter Tô Ngọc Văn following the school's relocation to the Viet Bac Resistance Zone. The combination of his natural artistic dispositions and the skills he acquired during his studies positioned him as one of Văn's most promising students. Nhân is celebrated for the variety of his works. He demonstrated a mastery of multiple art genres, including female nude paintings - for which he is particularly revered - landscapes, rural scenes and still lifes. His mastery spanned several media, including oil, watercolour and paper. His painting style bore the unmistakable influence of French Impressionism. However, Nhân carved out his own niche by blending these western aesthetics with those of oriental calligraphy. The result was a unique style characterised by a variety of expressive and spontaneous strokes. Each stroke encapsulated an aspect of Nhân's existence, vividly portraying the artist's life experiences, emotional spectrum, aspirations, and dreams. He painted his subjects using singular and unrepeated brushstrokes, the mastery of which simultaneously required emotional and physical balance, intense concentration, as well as a release of the resulting pressure. Nhân's contributions to the art world were not limited to Vietnam. His numerous exhibitions at home and abroad are a testament to his international recognition. The awards and honours he received not only underscore his artistic prowess, but also how his art transcends geographical boundaries. At heart, Lưu Công Nhân was not just a painter; he was a storyteller whose canvases told tales of emotional depth rooted in natural beauty - echoing the harmonious simplicity and sincere narratives inherent in rural life. For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing
Luu Cong Nhan (Vietnamese, 1931-2007) Three drawings with figures and a print i) 1968, signed (lower left) and dated (lower right), charcoal on paper ii) signed and numbered 14/56 (lower left), impression on paper iii) 1957, signed and dated (lower centre), ink on paper iv) 1949, signed (lower left) and dated (lower right), charcoal on paper the largest: 48 x 24.5 cm (18 7/8 x 9 5/8 in) Footnotes: Provenance Luu Cong Nhan studio Thence in the family by descent Acquired from the above by the present owner Private collection, USA Luu Cong Nhan 人物畫三幀 及 版畫一幀 i) 1968年作, 藝術家簽名 (左下) 及紀年(右下), 炭筆紙本 ii) 藝術家簽名, 版數:14/56 (左下), 版畫紙本 iii) 1957年作, 藝術家簽名及紀年 (中下), 墨水紙本 iv) 1949年作, 藝術家簽名 (左下) 及紀年(右下), 炭筆紙本 來源 Luu Cong Nhan藝術家工作室 後經家族流傳 現藏家得自上述來源 美國私人收藏 Lưu Công Nhân was a distinguished artist whose rural upbringing deeply influenced his artistic journey. The serene beauty of nature and the simple yet earnest lives of the farmers and labourers who surrounded him during his formative years helped shape his artistic sensibility. In 1954, Nhân graduated with distinction from the first Resistance Class of the Vietnam University of Fine Arts, where he was mentored by the revolutionary painter Tô Ngọc Văn following the school's relocation to the Viet Bac Resistance Zone. The combination of his natural artistic dispositions and the skills he acquired during his studies positioned him as one of Văn's most promising students. Nhân is celebrated for the variety of his works. He demonstrated a mastery of multiple art genres, including female nude paintings - for which he is particularly revered - landscapes, rural scenes and still lifes. His mastery spanned several media, including oil, watercolour and paper. His painting style bore the unmistakable influence of French Impressionism. However, Nhân carved out his own niche by blending these western aesthetics with those of oriental calligraphy. The result was a unique style characterised by a variety of expressive and spontaneous strokes. Each stroke encapsulated an aspect of Nhân's existence, vividly portraying the artist's life experiences, emotional spectrum, aspirations, and dreams. He painted his subjects using singular and unrepeated brushstrokes, the mastery of which simultaneously required emotional and physical balance, intense concentration, as well as a release of the resulting pressure. Nhân's contributions to the art world were not limited to Vietnam. His numerous exhibitions at home and abroad are a testament to his international recognition. The awards and honours he received not only underscore his artistic prowess, but also how his art transcends geographical boundaries. At heart, Lưu Công Nhân was not just a painter; he was a storyteller whose canvases told tales of emotional depth rooted in natural beauty - echoing the harmonious simplicity and sincere narratives inherent in rural life. For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing