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ZOCCHI. Scelta di XXIV vedute delle principali contrade, piazze, chiese, e palazzi della citta di Fi

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ZOCCHI, Giuseppe. Scelta di XXIV vedute delle principali contrade, piazze, chiese, e palazzi della citta di Firenzi. Florence, appresso Giuseppe Allegrini, no date but 1744. Bound With: Vedute delle ville, e d'altri luoghi della Toscana. Florence (Giuseppe Allegrini) 1744. Large folio (c. 580x405 mm.). Engraved dedication (with the portrait of the empress Maria Theresia) F. Morghen after Zocchi, double-page engraved pictorial title J. G. Seuter after G. Magni, 24 engraved double-page views of Florence by J. A. Pfeffel, J. S. Muller, C. Gregori and others after Zocchi (complete, title with mended tear in lower right corner, split at lower part of middle folding, some browning around middle folding; plate XIII with mended tear in lower margin, plate XXIV loose in upper part of middle folding, otherwise some tears or splits at lower part of middle folding, a few plates with some partial browning around middle folding) . II. work: Engraved pictorial title J. G. Seuter after Zocchi and 50 engraved plates I. Zocchi, P. Monaco, G. Giampiccoti, M. A. Corso, G. Wagner, F. Morghen, M. Marieschi, G. Benedetti, G. B. Piranesi (plate XVII, "La Real Villa dell'Ambrogiana", Hind p. 75), F. P. Duflos, G. Filosi, and others, engraved plate Index (complete, plate VI with tear in lower margin, a few plates with minor marginal foxing). Contemporary brown full leather binding with spine in eight compartments; worn, cracks in the joints, boards almost loose, damages at head and foot. First edition. The Italian painter and printmaker Giuseppe Zocchi's (1711-1767) most famous work. He was born into a poor family and studied in his native city of Florence. With the aid of his patron, the art collector Marchese Andrea Gerini (1691-1766), he was able to pursue further studies in Venice, Milan, Bologna and Rome. Commissioned by Gerini, Zocchi recorded the famous landmarks of Florence and its environs. The drawings resulted in this work issued in 2 series, engraved by Zocchi and a number of other engravers, including Giovanni Battista Piranesi?.A second edition was published by Giuseppe Bouchard in 1754. The original drawings are now in the Pierpont Morgan Library in New York.Provenance: Most probably from the library at Tvetaberg manor of Clas Anton Tamm (1807-1866).

ZOCCHI, Giuseppe. Scelta di XXIV vedute delle principali contrade, piazze, chiese, e palazzi della citta di Firenze.Firenze, Giuseppe Allegrini, [1744] Album in folio grande. 580x400 mm. Legatura coeva piena pelle, traccia di titolo e fregi sul dorso, tagli rossi a spruzzo. Dedica figurata all’Imperatrice Maria Teresa, incisa da F. Morghen su disegno di Zocchi, Frontespizio allegorico su doppia pagina inciso da J. G. Seuter su disegno di G. Magni, 24 Tavole su doppia pagina numerate I-XXIV incise da diversi artisti sui disegni di Zocchi. Difetti alla legatura con pelle sfregata, internamente insignificante restauro all’angolo inferiore del Frontespizio, taglio marginale riparato alla tavola XIII, qualche lieve difetto occasionale, complessivamente esemplare in ottimo stato di conservazione, tavole con brillante inchiostratura e ampi margini. Prima edizione della più prestigiosa serie di vedute settecentesche di Firenze. La suite degli spettacolari disegni di Zocchi, che illustra tutte le principali attrazioni di Firenze, palazzi, monumenti, feste è magistralmente realizzata da 15 diversi incisori, fra i quali J.A.Pfeffel, J.S.Muller, C.Gregori; nelle cinque tavole incise da Sgrilli interviene anche Zocchi che incide le figure. La tavola che precede il Frontespizio contiene la dedica di Andrea Gerini all'imperatrice Maria Teresa d'AustriaL’opera, che riscosse enorme successo, fu poi ristampata a Firenze da Giuseppe Bouchard nel 1754 e nel 1757. Unito con: ZOCCHI, Giuseppe. Vedute delle ville, e d'altri luoghi della Toscana. Firenze, Giuseppe Allegrini, 1744Frontespizio allegorico inciso da J. G. Seuter su disegno di Zocchi, 50 tavole non numerate, in orizzontale, 440x580mm, una carta incisa in fine con indice. Insignificante strappo al margine inferiore della tavola VI, per il resto ottimo stato di conservazione, tavole con brillante inchiostratura e ampi margini. Prima edizione. Questa raccolta di vedute delle ville toscane è assai importante per la storia dell’architettura e dei giardini italiani. L'opera fu commissionata dal Marchese Andrea Gerini (1691-1766) per celebrare le bellezze della Toscana sull'esempio del vedutismo veneziano che proprio in quegli anni aveva raggiunto il suo massimo splendore. Giuseppe Zocchi incise tutte le tavole avvalendosi dei disegni di diversi artisti, tutti di alto livello, quali G. B. Piranesi, M. Marieschi, G. Giampiccoli, G. Wagner, P. Monaco, F. Morghen, G. Filosi ed altri. Il risultato fu eccellente e quest'opera rimane come uno dei libri più significativi del '700 toscano. Rarissime prime edizioni. Magnifico esemplare con le due opere di Giuseppe Zocchi unite insieme. Il pittore Giuseppe Zocchi (Fiesole 1716/7 - Firenze 1767) fu il più importante esponente del vedutismo fiorentino. Tra il 1739 e il 1741 soggiornò a Venezia: fu un'esperienza fondamentale che segnò la sua formazione. Nel 1740 eseguì affreschi per Gabriello Riccardi. Nel 1754 Zocchi fu nominato pittore per il laboratorio di pietre dure e fornì i disegni per oltre sessanta quadri che furono prodotti dall'Opificio delle Pietre Dure. Oltre ad essere un incisore, è stato anche un illustratore di libri.La sua opera di vedute di Firenze, commissionata e finanziata dal marchese Andrea Gerini e dedicata a Maria Teresa d'Austria, fu prodotta dallo stampatore fiorentino Giuseppe Allegrini. La serie, progettata per "mettere davanti agli occhi di curiosi osservatori, soprattutto stranieri, i punti di vista più nobili e affascinanti", ebbe un tale successo che ben presto divenne un prototipo per altre iniziative editoriali simili, intraprese a Roma, Venezia e altre Città europee.Per le “Vedute”, cfr. MIllard: “The principal etchers of the Vedute delle ville were Giuseppe Benedetti, Pietro Monaco, Filippo Morghen and Joseph Wagner. [?] Among the better-known contributors to the series were the Venetians Michele Marieschi (1696.1743), who in 1741 published his own series of views of Venice, and Giovanni Battista Piranesi (1720-1778) [?] The 'Ville' print series is an architectural history of these buildings, defining the representation and self-fashioning of a building type. In contrast with the villas of the Veneto, it is astonishing how few of the elements of classical architecture, such as porticoes, columns, pediments, or parapets with statues, are in use”.

ZOCCHI, Giuseppe. Scelta di XXIV vedute delle principali contrade, piazze, chiese, e palazzi della citta di Firenzi. Florence, appresso Giuseppe Allegrini, no date but 1744. Bound With: Vedute delle ville, e d'altri luoghi della Toscana. Florence (Giuseppe Allegrini) 1744. Large folio (c. 580x405 mm.). Engraved dedication (with the portrait of the empress Maria Theresia) F. Morghen after Zocchi, double-page engraved pictorial title J. G. Seuter after G. Magni, 24 engraved double-page views of Florence by J. A. Pfeffel, J. S. Muller, C. Gregori and others after Zocchi (complete, title with mended tear in lower right corner, split at lower part of middle folding, some browning around middle folding; plate XIII with mended tear in lower margin, plate XXIV loose in upper part of middle folding, otherwise some tears or splits at lower part of middle folding, a few plates with some partial browning around middle folding) . II. work: Engraved pictorial title J. G. Seuter after Zocchi and 50 engraved plates I. Zocchi, P. Monaco, G. Giampiccoti, M. A. Corso, G. Wagner, F. Morghen, M. Marieschi, G. Benedetti, G. B. Piranesi (plate XVII, "La Real Villa dell'Ambrogiana", Hind p. 75), F. P. Duflos, G. Filosi, and others, engraved plate Index (complete, plate VI with tear in lower margin, a few plates with minor marginal foxing). Contemporary brown full leather binding with spine in eight compartments; worn, cracks in the joints, boards almost loose, damages at head and foot. First edition. The Italian painter and printmaker Giuseppe Zocchi's (1711-1767) most famous work. He was born into a poor family and studied in his native city of Florence. With the aid of his patron, the art collector Marchese Andrea Gerini (1691-1766), he was able to pursue further studies in Venice, Milan, Bologna and Rome. Commissioned by Gerini, Zocchi recorded the famous landmarks of Florence and its environs. The drawings resulted in this work issued in 2 series, engraved by Zocchi and a number of other engravers, including Giovanni Battista Piranesi?.A second edition was published by Giuseppe Bouchard in 1754. The original drawings are now in the Pierpont Morgan Library in New York.Provenance: Most probably from the library at Tvetaberg manor of Clas Anton Tamm (1807-1866).

ZOCCHI, Giuseppe. Scelta di XXIV vedute delle principali contrade, piazze, chiese, e palazzi della citta di Firenze.Firenze, Giuseppe Allegrini, [1744] Album in folio grande. 580x400 mm. Legatura coeva piena pelle, traccia di titolo e fregi sul dorso, tagli rossi a spruzzo. Dedica figurata all’Imperatrice Maria Teresa, incisa da F. Morghen su disegno di Zocchi, Frontespizio allegorico su doppia pagina inciso da J. G. Seuter su disegno di G. Magni, 24 Tavole su doppia pagina numerate I-XXIV incise da diversi artisti sui disegni di Zocchi. Difetti alla legatura con pelle sfregata, internamente insignificante restauro all’angolo inferiore del Frontespizio, taglio marginale riparato alla tavola XIII, qualche lieve difetto occasionale, complessivamente esemplare in ottimo stato di conservazione, tavole con brillante inchiostratura e ampi margini. Prima edizione della più prestigiosa serie di vedute settecentesche di Firenze. La suite degli spettacolari disegni di Zocchi, che illustra tutte le principali attrazioni di Firenze, palazzi, monumenti, feste è magistralmente realizzata da 15 diversi incisori, fra i quali J.A.Pfeffel, J.S.Muller, C.Gregori; nelle cinque tavole incise da Sgrilli interviene anche Zocchi che incide le figure. La tavola che precede il Frontespizio contiene la dedica di Andrea Gerini all'imperatrice Maria Teresa d'AustriaL’opera, che riscosse enorme successo, fu poi ristampata a Firenze da Giuseppe Bouchard nel 1754 e nel 1757. Unito con: ZOCCHI, Giuseppe. Vedute delle ville, e d'altri luoghi della Toscana. Firenze, Giuseppe Allegrini, 1744Frontespizio allegorico inciso da J. G. Seuter su disegno di Zocchi, 50 tavole non numerate, in orizzontale, 440x580mm, una carta incisa in fine con indice. Insignificante strappo al margine inferiore della tavola VI, per il resto ottimo stato di conservazione, tavole con brillante inchiostratura e ampi margini. Prima edizione. Questa raccolta di vedute delle ville toscane è assai importante per la storia dell’architettura e dei giardini italiani. L'opera fu commissionata dal Marchese Andrea Gerini (1691-1766) per celebrare le bellezze della Toscana sull'esempio del vedutismo veneziano che proprio in quegli anni aveva raggiunto il suo massimo splendore. Giuseppe Zocchi incise tutte le tavole avvalendosi dei disegni di diversi artisti, tutti di alto livello, quali G. B. Piranesi, M. Marieschi, G. Giampiccoli, G. Wagner, P. Monaco, F. Morghen, G. Filosi ed altri. Il risultato fu eccellente e quest'opera rimane come uno dei libri più significativi del '700 toscano. Rarissime prime edizioni. Magnifico esemplare con le due opere di Giuseppe Zocchi unite insieme. Il pittore Giuseppe Zocchi (Fiesole 1716/7 - Firenze 1767) fu il più importante esponente del vedutismo fiorentino. Tra il 1739 e il 1741 soggiornò a Venezia: fu un'esperienza fondamentale che segnò la sua formazione. Nel 1740 eseguì affreschi per Gabriello Riccardi. Nel 1754 Zocchi fu nominato pittore per il laboratorio di pietre dure e fornì i disegni per oltre sessanta quadri che furono prodotti dall'Opificio delle Pietre Dure. Oltre ad essere un incisore, è stato anche un illustratore di libri.La sua opera di vedute di Firenze, commissionata e finanziata dal marchese Andrea Gerini e dedicata a Maria Teresa d'Austria, fu prodotta dallo stampatore fiorentino Giuseppe Allegrini. La serie, progettata per "mettere davanti agli occhi di curiosi osservatori, soprattutto stranieri, i punti di vista più nobili e affascinanti", ebbe un tale successo che ben presto divenne un prototipo per altre iniziative editoriali simili, intraprese a Roma, Venezia e altre Città europee.Per le “Vedute”, cfr. MIllard: “The principal etchers of the Vedute delle ville were Giuseppe Benedetti, Pietro Monaco, Filippo Morghen and Joseph Wagner. [?] Among the better-known contributors to the series were the Venetians Michele Marieschi (1696.1743), who in 1741 published his own series of views of Venice, and Giovanni Battista Piranesi (1720-1778) [?] The 'Ville' print series is an architectural history of these buildings, defining the representation and self-fashioning of a building type. In contrast with the villas of the Veneto, it is astonishing how few of the elements of classical architecture, such as porticoes, columns, pediments, or parapets with statues, are in use”.

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(H): Lots marked with this symbol, being under a temporary import regime on the Italian territory by a foreign seller, are not subject to any restrictive measure by the Italian legislation. For the other lots, possibly subject to a notification by the State, the Bidders will be required, to comply with all the provisions set forth in Legislative Decree no. 22 January 2004 n. 42 (SO-CALLED "Code of Cultural Heritage"). The export of lots by the Buyers, resident and non-resident in Italy will be governed by that legislation as well as to customs, currency and tax regulations. Bado and Mart Auctions assumes no liability to Bidders regarding possible restrictions on exports of the lots awarded nor for any licenses or permits that the contractor of a lot must obtain under Italian law. Failure of the releasing and granting the export license cannot justify the cancellation of the purchase or non-payment.

The Successful Bidder, in case of exercise of the right of first refusal by the state, can not force Bado and Mart Auctions and / or the Seller any refund of the interest on the price of the auction commission already paid.

Any disputes about the attributions given in the catalog and on the quality of the lots awarded will be moved by registered mail with return receipt to be sent no later than 10 days from the award date. In case the complaint proves founded, based on the documentation that in any case will have to be produced under the responsibility and cost of the Buyer, Bado and Mart Auctions, will be held exclusively for the repayment of the sums already received without interest, upon surrender of the sold goods , without any further obligation for damages of any kind.

In any case of auctions concerning books, the Buyer shall not be entitled to dispute any damage to bindings, foxing, wormholes, trimmed pages or plates, restorations or any other defect affecting the integrity of the text and/or illustrative material, including missing indices of plates, blank pages, insertions, supplements and additions subsequent to the date of publication of the work. Will not be also accepted dispute of any books not described in the catalog. As for Auctions of Drawings, Paintings and Prints and Bado Mart Auctions is not responsible for the works attributed to an artist, a school, a country or a period, as they are given as a guidance purpose and reflect the opinion of our experts.

As for auctions of drawings, paintings and prints, porcelains and furniture Bado Mart Auctions is not responsible for works attributed to an artist, a school, a country or a period, defects, damages or losses as they are given for the purpose of orientation and reflects the opinion of our experts.

For the auctions containing paintings, porcelains and furniture, Bado and Mart Auctions could ask for the help of a qualified transport courier to ship the lot(s) won.

In the event that Bado e Mart Auctions is notified or become aware of a claim by a third party about the ownership or possession or control of one or more lots, it may, in its absolute discretion, retain possession of the lots for such period as it is reasonable for the settlement of the claim.

20. In the event that the buyer is a consumer pursuant to art. 3 of the Consumer Code, sales concluded through written offers without direct participation in the room, telephone or online offers constitute distance contracts pursuant to and for the purposes of Articles 45 and ss. of the Consumer Code. Except as provided in the following paragraph, pursuant to art. 59, paragraph 1, lett. m) of the Consumer Code, the buyer will not be able to take advantage of the right of withdrawal as the contract is to be considered concluded at a public auction as defined in art. 45, paragraph 1, lett. or of the aforementioned Consumer Code.

21. In auctions with the wording "timed auction", the buyer is granted the right of withdrawal pursuant to and for the purposes of art. 59 of the Consumer Code. The buyer may withdraw from the contract within fourteen days from the moment in which he took possession of the purchased good, without having to provide any reasons, by sending a communication by registered letter with return receipt or by PEC to Bado and Mart Auctions to the address badoemart@pcert.postecert. it.

The cost of returning the goods will be borne by the buyer who will then arrange for the return at his own expense within fourteen days of receipt by Bado Mart Auctions of the notice of withdrawal. The deadline is met if the buyer sends back the goods before the expiry of the fourteen-day period. Bado Mart Auctions will reimburse all payments received from the consumer, possibly including delivery costs (with the exception of additional costs arising from the possible choice of a type of delivery other than the least expensive type of standard delivery offered by us), within fourteen days from the day in which it is informed of the consumer's decision to withdraw from the contract. However, Bado Mart Auctions may withhold the refund until it has received the return of the goods subject to withdrawal. The refund will be made using the same means of payment used by the consumer for the initial transaction, unless the consumer has expressly agreed otherwise and provided that he does not have to incur any costs as a consequence of the refund. For the purposes of exercising the right of withdrawal, the buyer is in any case considered to have taken possession of the purchased good when ten days have elapsed from the payment by the buyer and the same has not collected the good.


21. In the event that Bado and Mart Auctions has been informed or becomes aware of any claim or right of third parties relating to the ownership, possession or possession of one or more lots, it may, at its discretion, keep such lots pending settlement of the dispute or for the entire period reasonably deemed necessary for such settlement.

22. Personal data will be processed in accordance with the 2016/679 European regulation (GPDR).

23. The lots offered for sale are to be considered used goods / antiques and as such not subject to the Consumer Code, according to the provision of art. 3, lett. E) of Legislative Decree no. 206/2005.

24. It should be noted that purchases made at Bado and Mart Auctions are not subject to the right of withdrawal as this is a contract concluded on the occasion of an auction sale.

25. These general conditions of sale shall be deemed accepted entirely and automatically by the sale participants and are available to any person requesting them. Any dispute relating to these general conditions on the auctions shall be submitted to the exclusive jurisdiction of the Foro of Padua and shall be governed by Italian Law, saving Bado e Mart Auctions rights to submit the claim to the Court where the defendant is resident.
Please for any request or doubt call 0039 3495909733 or 00498755317

See Full Terms And Conditions

Tags: Book, Folio