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VÁCLAV RADIMSKÝ (1867-1946): WINTER LANDSCAPE IN BROLLES
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Description
VÁCLAV RADIMSKÝ (1867-1946): WINTER LANDSCAPE IN BROLLES
1891, France, Brolles
The painting on offer here is from Radimský's early period, when he first came into personal contact with artists of the Barbizon school. The selection of the motif is typical: the melancholic mood and somewhat gloomy light of a late winter landscape, rendered in realistic detail.
The painting Study of Winter in Brolles, which is signed and dated 1891, remained in a private collection. The study is published in Naděžda Blažíčková-Horová: Václav Radimský 1867-1946, Prague, Arbor vitae, 2011, p. 210, cat. no. 17. The painting style and the above study leave no doubt that the Winter Landscape presented here also dates from 1891.
According to the expert opinion prepared by PhDr. Blažíčková-Horová, the painting bears "all the attributes of the Czech painting tradition spread by Antonín Chittussi, who became acquainted with the work of the Barbizon school painters one generation earlier and tried to capture the luminous atmosphere of a specific moment in nature. Radimský built on Chittussi's effort and gradually expanded it." Oil on canvas, signed "Radimský Brolles" on bottom right. (46 x 55 cm)
Starting price: 700 000 CZK / 25 926 EUR
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VÁCLAV RADIMSKÝ (1867-1946): WINTER LANDSCAPE IN BROLLES
1891, France, Brolles
The painting on offer here is from Radimský's early period, when he first came into personal contact with artists of the Barbizon school. The selection of the motif is typical: the melancholic mood and somewhat gloomy light of a late winter landscape, rendered in realistic detail.
The painting Study of Winter in Brolles, which is signed and dated 1891, remained in a private collection. The study is published in Naděžda Blažíčková-Horová: Václav Radimský 1867-1946, Prague, Arbor vitae, 2011, p. 210, cat. no. 17. The painting style and the above study leave no doubt that the Winter Landscape presented here also dates from 1891.
According to the expert opinion prepared by PhDr. Blažíčková-Horová, the painting bears "all the attributes of the Czech painting tradition spread by Antonín Chittussi, who became acquainted with the work of the Barbizon school painters one generation earlier and tried to capture the luminous atmosphere of a specific moment in nature. Radimský built on Chittussi's effort and gradually expanded it." Oil on canvas, signed "Radimský Brolles" on bottom right. (46 x 55 cm)
Starting price: 700 000 CZK / 25 926 EUR
EVENING AUCTION 2016
Sale Date(s)
Lots: 89
Venue Address
ARTHOUSE HEJTMANEK
Gallery & Auction House, Ltd.
Goetheho 17/2
Prague 6
160 00
Czech Republic
For Arthouse Hejtmánek delivery information please telephone +420 776 210 002.
Important Information
WHERE
ARTHOUSE HEJTMÁNEK
Gallery and Auction house Ltd.
Goetheho 17/ 2
160 00 Prague 6
Czech Republic
WHEN
Preauction Exhibition: 18. – 30. 11. 2016 / 10.00 – 18.00
Auction: 1. 12. 2016: entry from 5 pm, start at 6 pm
REGISTRATION
You can register by filling out the registration form:
- ONLINE
- IN PERSON
You can register during the pre-auction exhibition 18.– 30. 11. 2016 with one of our employees - BY EMAIL
By filling out the registration form and sending it with a copy of your personal identification card or passport to email: ivana@arthousehejtmanek.cz or fax: +420 222 264 881
WHAT TO LOOK FORWARD TO
For our auction, we have carefully selected a varieaty of exceptional artistic works, antiquities and design.
You can look forward to the early work "BETWEEN SUNFLOWERS" by Otakar Kubín, interesting collectors acquisitions from Václav Brožík, Jan Preisler or Antonín Slavíček, Vlaho Bukovac, Josef Šíma, Václav Radimský, Franz Metzner or Jan Bauch. We will also auction works by present artists such as Karel Malich and Jan Saudek.
From the field of furniture we will represent Italian baroque, Czech cubism in the form of several items by Gočár, and also art deco with a glass case made by architect Mašek.
There will be certainly available many other surprising items that will touch and excite any collector.
