Lot

38

SCENES FROM THE CRIMEAN WAR

In Looking Back at John Osborne: Pictures and Pos...

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London

CHARGE OF THE LIGHT BRIGADE; SEBASTOPOL FROM THE SEA; THE FIELD OF INKERMAN; ONE OF THE WARDS OF THE HOSPITAL AT SCUTARI; THE INVESTITURE OF THE ORDER OF THE BATH; DISEMBARKATION OF THE EXPEDITION OF KERTCH AT KAMISH, BORNOU; FUNERAL CORTÈGE OF LORD RAGLAN LEAVING HEADQUARTERS; HIGHLAND BRIGADE CAMP & THE HIGHLANDERS ATTACKING THE RUSSIAN REDOUBT AT THE BATTLE OF ALM
lithographs with hand colouring, all from Colnaghi's Authentic Series, offered together with a colour book illustration
each 29 x 47cm; 11 1/2 x 18 1/2in
40 x 59cm; 15 3/4 x 23 1/4in (framed)
(9)

Osborne's acquisition of the present set of eight lithographs, including such scenes as The Charge of the Light Brigade may well have coincided with his drafting of the screenplay for Tony Richardson's eponymous film of 1968. Their collaboration on the film ended acrimoniously and terminated the professional relationship they had long enjoyed, ever since Richardson had encouraged Devine to produce Look Back in Anger at the Royal Court in 1956.

see note to lot 30



Qty: 9

CHARGE OF THE LIGHT BRIGADE; SEBASTOPOL FROM THE SEA; THE FIELD OF INKERMAN; ONE OF THE WARDS OF THE HOSPITAL AT SCUTARI; THE INVESTITURE OF THE ORDER OF THE BATH; DISEMBARKATION OF THE EXPEDITION OF KERTCH AT KAMISH, BORNOU; FUNERAL CORTÈGE OF LORD RAGLAN LEAVING HEADQUARTERS; HIGHLAND BRIGADE CAMP & THE HIGHLANDERS ATTACKING THE RUSSIAN REDOUBT AT THE BATTLE OF ALM
lithographs with hand colouring, all from Colnaghi's Authentic Series, offered together with a colour book illustration
each 29 x 47cm; 11 1/2 x 18 1/2in
40 x 59cm; 15 3/4 x 23 1/4in (framed)
(9)

Osborne's acquisition of the present set of eight lithographs, including such scenes as The Charge of the Light Brigade may well have coincided with his drafting of the screenplay for Tony Richardson's eponymous film of 1968. Their collaboration on the film ended acrimoniously and terminated the professional relationship they had long enjoyed, ever since Richardson had encouraged Devine to produce Look Back in Anger at the Royal Court in 1956.

see note to lot 30



Qty: 9

Looking Back at John Osborne: Pictures and Possessions from his Estate The Hurst, Shropshire (Timed)

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Tags: Lithograph